"'I may die before my time,' Gillian Rose says in this remarkable book. She did, but she understood dying as few people have, and she lived her drastically shortened time as a philosopher who believed both in the soul and in the necessary charm of earthly powers....Death is at the heart of the book, but no one has ever argued more beautifully or eloquently that 'death is not nothing,' and that mourning, when it becomes the law, that is, when it returns to reason, could even put an end to what Gillian Rose calls the 'endless dying' of life under tyranny." Michael Wood, Princeton University

• Introduction; 1. Athens and Jerusalem: a tale of three cities; 2. Beginnings of the day: Fascism and representation; 3. The comedy of Hegel and the Trauerspiel of modern philosophy; 4. 'Would that they would forsake Me but observe my Torah': Midrash and political authority; 5. Potter's Field: death worked and unworked; 6. O! Untimely death/death.

"'I may die before my time,' Gillian Rose says in this remarkable book. She did, but she understood dying as few people have, and she lived her drastically shortened time as a philosopher who believed both in the soul and in the necessary charm of earthly powers....Death is at the heart of the book, but no one has ever argued more beautifully or eloquently that 'death is not nothing,' and that mourning, when it becomes the law, that is, when it returns to reason, could even put an end to what Gillian Rose calls the 'endless dying' of life under tyranny." Michael Wood, Princeton University

• Introduction; 1. Athens and Jerusalem: a tale of three cities; 2. Beginnings of the day: Fascism and representation; 3. The comedy of Hegel and the Trauerspiel of modern philosophy; 4. 'Would that they would forsake Me but observe my Torah': Midrash and political authority; 5. Potter's Field: death worked and unworked; 6. O! Untimely death/death.