James T. Boulton is Emeritus Professor of English Studies at the University of Birmingham. He is General Editor of The Cambridge Edition of the Works of D. H. Lawrence and of the 8-volume Cambridge Edition of the Letters of D. H. Lawrence.

"...the writings reflect the immense versatility and variation in quality evident throughout Lawrence's productive literary career. Highly Recommended." J.E. Steiner, emerita, Drew University

• General editor's preface; Prefatory note; Acknowledgements; Chronology; Cue-titles; Introduction; Late essays and articles: Note on the texts; Mercury; [Return to Bestwood]; Getting on; Which class I belong to; Newthorpe in 2927; The 'Jeune Fille' wants to know; Laura Philippine; That women know best; All there; Thinking about oneself; Insouciance; Master in his own house; Matriarchy; Ownership; Autobiography; Women are so cocksure; Why I don't like living in London; Cocksure women and hen-sure men; Hymns in a man's life; Red trousers; Is England still a man's country?; Sex appeal; Do women change; Enslaved by civilisation; Give her a pattern; Introduction to pictures; Myself revealed; Introduction to these paintings; The state of funk; Making pictures; Pornography and obscenity; Pictures on the wall; The risen lord; Men must work and women as well; Nottingham and the mining countryside; We need one another; The real thing; Nobody loves me; Appendix 1. Early draft of 'The 'Jeune Fille' Wants to Know'; Appendix 2. Vanity Fair version of 'Do Women Change'; Appendix 3. 'Mushrooms': an autobiographical fragment; Explanatory notes; Textual apparatus; A note on pounds, shillings and pence.

James T. Boulton is Emeritus Professor of English Studies at the University of Birmingham. He is General Editor of The Cambridge Edition of the Works of D. H. Lawrence and of the 8-volume Cambridge Edition of the Letters of D. H. Lawrence.

"...the writings reflect the immense versatility and variation in quality evident throughout Lawrence's productive literary career. Highly Recommended." J.E. Steiner, emerita, Drew University

• General editor's preface; Prefatory note; Acknowledgements; Chronology; Cue-titles; Introduction; Late essays and articles: Note on the texts; Mercury; [Return to Bestwood]; Getting on; Which class I belong to; Newthorpe in 2927; The 'Jeune Fille' wants to know; Laura Philippine; That women know best; All there; Thinking about oneself; Insouciance; Master in his own house; Matriarchy; Ownership; Autobiography; Women are so cocksure; Why I don't like living in London; Cocksure women and hen-sure men; Hymns in a man's life; Red trousers; Is England still a man's country?; Sex appeal; Do women change; Enslaved by civilisation; Give her a pattern; Introduction to pictures; Myself revealed; Introduction to these paintings; The state of funk; Making pictures; Pornography and obscenity; Pictures on the wall; The risen lord; Men must work and women as well; Nottingham and the mining countryside; We need one another; The real thing; Nobody loves me; Appendix 1. Early draft of 'The 'Jeune Fille' Wants to Know'; Appendix 2. Vanity Fair version of 'Do Women Change'; Appendix 3. 'Mushrooms': an autobiographical fragment; Explanatory notes; Textual apparatus; A note on pounds, shillings and pence.

James T. Boulton is Emeritus Professor of English Studies at the University of Birmingham. He is General Editor of The Cambridge Edition of the Works of D. H. Lawrence and of the 8-volume Cambridge Edition of the Letters of D. H. Lawrence.

"...the writings reflect the immense versatility and variation in quality evident throughout Lawrence's productive literary career. Highly Recommended." J.E. Steiner, emerita, Drew University

• General editor's preface; Prefatory note; Acknowledgements; Chronology; Cue-titles; Introduction; Late essays and articles: Note on the texts; Mercury; [Return to Bestwood]; Getting on; Which class I belong to; Newthorpe in 2927; The 'Jeune Fille' wants to know; Laura Philippine; That women know best; All there; Thinking about oneself; Insouciance; Master in his own house; Matriarchy; Ownership; Autobiography; Women are so cocksure; Why I don't like living in London; Cocksure women and hen-sure men; Hymns in a man's life; Red trousers; Is England still a man's country?; Sex appeal; Do women change; Enslaved by civilisation; Give her a pattern; Introduction to pictures; Myself revealed; Introduction to these paintings; The state of funk; Making pictures; Pornography and obscenity; Pictures on the wall; The risen lord; Men must work and women as well; Nottingham and the mining countryside; We need one another; The real thing; Nobody loves me; Appendix 1. Early draft of 'The 'Jeune Fille' Wants to Know'; Appendix 2. Vanity Fair version of 'Do Women Change'; Appendix 3. 'Mushrooms': an autobiographical fragment; Explanatory notes; Textual apparatus; A note on pounds, shillings and pence.