Morag Shiach is Vice-Principal (Teaching and Learning) at Queen Mary, University of London, where she is also professor of Cultural History in the School of English and Drama. Her most recent books are Modernism, Labour and Selfhood in British Literature and Culture, 1890–1930 (Cambridge University Press, 2004) and (ed.) The Cambridge Companion to the Modernist Novel (Cambridge University Press, 2007). She has published a wide range of articles on aspects of modernism, including language reform, domestic interiors and philosophies of history. She edited Feminism and Cultural Studies (1999) and has published widely on the French novelist, essayist and playwright Hélène Cixous.

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• Chronology; Reading the modernist novel: an introduction Morag Shiach; 1. Modernists on the art of fiction Jeff Wallace; 2. Early modernism Peter Brooker; 3. Remembrance and tense past Ann Banfield; 4. Consciousness as a stream Anne Fernihough; 5. The legacies of modernism Laura Marcus; 6. James Joyce and the languages of modernism Katherine Mullin; 7. Tradition and revelation: moments of being in Virginia Woolf's major novels Meg Jensen; 8. Wyndham Lewis and modernist satire Rebecca Beasley; 9. D. H. Lawrence, organicism and the modernist novel Hugh Stevens; 10. Joseph Conrad's half-written fictions Jeremy Hawthorn; 11. Djuna Barnes: melancholic modernism Deborah Parsons; 12. William Faulkner: an impossibly comprehensive expressivity Catherine Gunther Kodat; 13. Writing lives: Dorothy Richardson, May Sinclair, Gertrude Stein Howard Finn; 14. CLR James, Claude McKay, Nella Larsen, Jean Toomer: the 'black Atlantic' and the modernist novel Anna Snaith; 15. Situating Samuel Beckett Lois Oppenheim; Further reading.

Morag Shiach is Vice-Principal (Teaching and Learning) at Queen Mary, University of London, where she is also professor of Cultural History in the School of English and Drama. Her most recent books are Modernism, Labour and Selfhood in British Literature and Culture, 1890–1930 (Cambridge University Press, 2004) and (ed.) The Cambridge Companion to the Modernist Novel (Cambridge University Press, 2007). She has published a wide range of articles on aspects of modernism, including language reform, domestic interiors and philosophies of history. She edited Feminism and Cultural Studies (1999) and has published widely on the French novelist, essayist and playwright Hélène Cixous.

Select Guide Rating

• Chronology; Reading the modernist novel: an introduction Morag Shiach; 1. Modernists on the art of fiction Jeff Wallace; 2. Early modernism Peter Brooker; 3. Remembrance and tense past Ann Banfield; 4. Consciousness as a stream Anne Fernihough; 5. The legacies of modernism Laura Marcus; 6. James Joyce and the languages of modernism Katherine Mullin; 7. Tradition and revelation: moments of being in Virginia Woolf's major novels Meg Jensen; 8. Wyndham Lewis and modernist satire Rebecca Beasley; 9. D. H. Lawrence, organicism and the modernist novel Hugh Stevens; 10. Joseph Conrad's half-written fictions Jeremy Hawthorn; 11. Djuna Barnes: melancholic modernism Deborah Parsons; 12. William Faulkner: an impossibly comprehensive expressivity Catherine Gunther Kodat; 13. Writing lives: Dorothy Richardson, May Sinclair, Gertrude Stein Howard Finn; 14. CLR James, Claude McKay, Nella Larsen, Jean Toomer: the 'black Atlantic' and the modernist novel Anna Snaith; 15. Situating Samuel Beckett Lois Oppenheim; Further reading.

Morag Shiach is Vice-Principal (Teaching and Learning) at Queen Mary, University of London, where she is also professor of Cultural History in the School of English and Drama. Her most recent books are Modernism, Labour and Selfhood in British Literature and Culture, 1890–1930 (Cambridge University Press, 2004) and (ed.) The Cambridge Companion to the Modernist Novel (Cambridge University Press, 2007). She has published a wide range of articles on aspects of modernism, including language reform, domestic interiors and philosophies of history. She edited Feminism and Cultural Studies (1999) and has published widely on the French novelist, essayist and playwright Hélène Cixous.

Select Guide Rating

• Chronology; Reading the modernist novel: an introduction Morag Shiach; 1. Modernists on the art of fiction Jeff Wallace; 2. Early modernism Peter Brooker; 3. Remembrance and tense past Ann Banfield; 4. Consciousness as a stream Anne Fernihough; 5. The legacies of modernism Laura Marcus; 6. James Joyce and the languages of modernism Katherine Mullin; 7. Tradition and revelation: moments of being in Virginia Woolf's major novels Meg Jensen; 8. Wyndham Lewis and modernist satire Rebecca Beasley; 9. D. H. Lawrence, organicism and the modernist novel Hugh Stevens; 10. Joseph Conrad's half-written fictions Jeremy Hawthorn; 11. Djuna Barnes: melancholic modernism Deborah Parsons; 12. William Faulkner: an impossibly comprehensive expressivity Catherine Gunther Kodat; 13. Writing lives: Dorothy Richardson, May Sinclair, Gertrude Stein Howard Finn; 14. CLR James, Claude McKay, Nella Larsen, Jean Toomer: the 'black Atlantic' and the modernist novel Anna Snaith; 15. Situating Samuel Beckett Lois Oppenheim; Further reading.