Brian Vickers is Professor of English Literature, and Director of the Centre for Renaissance Studies at Eidgenossische Technische Hochschule, Zurich. He is a Corresponding Fellow of the British Academy. His publications on Shakespeare include The Artistry of Shakespeare's Prose (1968, 1979); a six-volume collection of early Shakespeare criticism, Shakespeare: the Critical Heritage, 1623-1801 (1974-1981, 1996); Returning to Shakespeare (1989); and Appropriating Shakespeare. Contemporary Critical Quarrels (1993).

Review of the hardback: 'The reader of this long book, which largely consists of close stylistic analysis, is swept along by the power of its indignation … this battleship of a book delivers what are likely to be the final salvos of a hard-fought literary engagement.' The Times Literary Supplement

• Prologue: Gary Taylor finds a poem; Part I. Donald Foster's 'Shakespearean' Construct: 1. 'W.S.' and the Elegye for William Peter; 2. Parallels? Plagiarisms?; 3. Vocabulary and diction; 4. Grammar: 'the Shakespearean who'; 5. Prosody, punctuation, pause patterns; 6. Rhetoric: 'the Shakespearean hendiadys'; 7. Statistics and inference; 8. A poem 'indistinguishable from Shakespeare'; Part II. John Ford's Funerall Elegye: 9. Ford's writing career: poet, moralist, playwright; 10. Ford and the Elegye's 'Shakespearean diction'; 11. The Funerall Elegye in its Fordian context; Epilogue: the politics of attribution; Appendices: 1. The text of A Funerall Elegye; 2. Verbal parallels between A Funerall Elegye and Ford's poems; 3. Establishing Ford's canon; Bibliography.

Brian Vickers is Professor of English Literature, and Director of the Centre for Renaissance Studies at Eidgenossische Technische Hochschule, Zurich. He is a Corresponding Fellow of the British Academy. His publications on Shakespeare include The Artistry of Shakespeare's Prose (1968, 1979); a six-volume collection of early Shakespeare criticism, Shakespeare: the Critical Heritage, 1623-1801 (1974-1981, 1996); Returning to Shakespeare (1989); and Appropriating Shakespeare. Contemporary Critical Quarrels (1993).

Review of the hardback: 'The reader of this long book, which largely consists of close stylistic analysis, is swept along by the power of its indignation … this battleship of a book delivers what are likely to be the final salvos of a hard-fought literary engagement.' The Times Literary Supplement

• Prologue: Gary Taylor finds a poem; Part I. Donald Foster's 'Shakespearean' Construct: 1. 'W.S.' and the Elegye for William Peter; 2. Parallels? Plagiarisms?; 3. Vocabulary and diction; 4. Grammar: 'the Shakespearean who'; 5. Prosody, punctuation, pause patterns; 6. Rhetoric: 'the Shakespearean hendiadys'; 7. Statistics and inference; 8. A poem 'indistinguishable from Shakespeare'; Part II. John Ford's Funerall Elegye: 9. Ford's writing career: poet, moralist, playwright; 10. Ford and the Elegye's 'Shakespearean diction'; 11. The Funerall Elegye in its Fordian context; Epilogue: the politics of attribution; Appendices: 1. The text of A Funerall Elegye; 2. Verbal parallels between A Funerall Elegye and Ford's poems; 3. Establishing Ford's canon; Bibliography.

Brian Vickers is Professor of English Literature, and Director of the Centre for Renaissance Studies at Eidgenossische Technische Hochschule, Zurich. He is a Corresponding Fellow of the British Academy. His publications on Shakespeare include The Artistry of Shakespeare's Prose (1968, 1979); a six-volume collection of early Shakespeare criticism, Shakespeare: the Critical Heritage, 1623-1801 (1974-1981, 1996); Returning to Shakespeare (1989); and Appropriating Shakespeare. Contemporary Critical Quarrels (1993).

Review of the hardback: 'The reader of this long book, which largely consists of close stylistic analysis, is swept along by the power of its indignation … this battleship of a book delivers what are likely to be the final salvos of a hard-fought literary engagement.' The Times Literary Supplement

• Prologue: Gary Taylor finds a poem; Part I. Donald Foster's 'Shakespearean' Construct: 1. 'W.S.' and the Elegye for William Peter; 2. Parallels? Plagiarisms?; 3. Vocabulary and diction; 4. Grammar: 'the Shakespearean who'; 5. Prosody, punctuation, pause patterns; 6. Rhetoric: 'the Shakespearean hendiadys'; 7. Statistics and inference; 8. A poem 'indistinguishable from Shakespeare'; Part II. John Ford's Funerall Elegye: 9. Ford's writing career: poet, moralist, playwright; 10. Ford and the Elegye's 'Shakespearean diction'; 11. The Funerall Elegye in its Fordian context; Epilogue: the politics of attribution; Appendices: 1. The text of A Funerall Elegye; 2. Verbal parallels between A Funerall Elegye and Ford's poems; 3. Establishing Ford's canon; Bibliography.