John Williamson is Reader in Music at the University of Liverpool. He is author of The Music of Hans Pfitzner (1992) and the Cambridge Music Handbook Strauss: Also sprach Zarathustra (1993).

• Chronology; Part I. Background: 1. Introduction: a Catholic composer in the age of Bismarck John Williamson; 2. Musical life in Upper Austria in the mid-nineteenth century Andrea Harrandt; 3. Bruckner in Vienna Andrea Harrandt; Part II. Choral Music: 4. Bruckner's large sacred compositions Paul Hawkshaw; 5. Bruckner and the motet A. Crawford Howie; 6. Bruckner and secular vocal music A. Crawford Howie; Part III. The Symphonist: 7. The Brucknerian symphony: an overview John Williamson; 8. Bruckner's symphonies - a reinterpretation: the dialectic of darkness and light Derek B. Scott; 9. Programme symphony and absolute music John Williamson; 10. Bruckner editions: the revolution revisited Benjamin M. Korstvedt; 11. Bruckner and the symphony orchestra Julian Horton; 12. Between formlessness and formality: aspects of Bruckner's approach to symphonic form Benjamin M. Korstvedt; 13. Formal process as spiritual progress: the symphonic slow movements Margaret Notley; 14. Bruckner and Harmony Kevin Swinden; Part IV. Reception: 15. Conductors and Bruckner John Williamson; 16. The musical image of Bruckner Christa Brüstle.

John Williamson is Reader in Music at the University of Liverpool. He is author of The Music of Hans Pfitzner (1992) and the Cambridge Music Handbook Strauss: Also sprach Zarathustra (1993).

• Chronology; Part I. Background: 1. Introduction: a Catholic composer in the age of Bismarck John Williamson; 2. Musical life in Upper Austria in the mid-nineteenth century Andrea Harrandt; 3. Bruckner in Vienna Andrea Harrandt; Part II. Choral Music: 4. Bruckner's large sacred compositions Paul Hawkshaw; 5. Bruckner and the motet A. Crawford Howie; 6. Bruckner and secular vocal music A. Crawford Howie; Part III. The Symphonist: 7. The Brucknerian symphony: an overview John Williamson; 8. Bruckner's symphonies - a reinterpretation: the dialectic of darkness and light Derek B. Scott; 9. Programme symphony and absolute music John Williamson; 10. Bruckner editions: the revolution revisited Benjamin M. Korstvedt; 11. Bruckner and the symphony orchestra Julian Horton; 12. Between formlessness and formality: aspects of Bruckner's approach to symphonic form Benjamin M. Korstvedt; 13. Formal process as spiritual progress: the symphonic slow movements Margaret Notley; 14. Bruckner and Harmony Kevin Swinden; Part IV. Reception: 15. Conductors and Bruckner John Williamson; 16. The musical image of Bruckner Christa Brüstle.