The Cambridge Companion to Sibelius

Daniel Grimley is a Lecturer in music at the University of Nottingham. He is coeditor of The Cambridge Companion to Elgar (forthcoming), and has written articles on the music of Carl Nielsen in Music Analysis and The Musical Quarterly. Current projects include books on Grieg and on landscape in Nordic Music, 1890–1930.

'There are so many points of interest between these covers … this is essential reading for Sibelians, a magnificent and illuminating volume - and congratulations are in order on the elegant appearance of the volume and its eminently moderate price.' International Record Review

• Introduction Daniel M. Grimley; Part I. Forging a Voice: Perspectives on Sibelius Biography: 1. The national nomposer and the idea of Finnishness Matti Huttunen; 2. Vienna and the genesis of Jean Sibelius's Kullervo: 'Durchführung zum Teufel!' Glenda Dawn Goss; Part II. Musical Works: 3. The early symphonies: pastoral idylls, erotic anxieties and heroic subjectivities Stephen Downes; 4. The genesis of the violin concerto Jukka Tiilikainen; 5. The later symphonies Arnold Whittall; 6. 'Finlandia Awakens!': Sibelius and Finlandia James Hepokoski; 7. The tone poems: genre, landscape and structural perspective Daniel M. Grimley; 8. Finnish Modern: love, sex, and style in Sibelius's songs Jeffrey Kallberg; 9. Sibelius the miniaturist Veijo Murtomäki; Part III. Influence and Reception: 10. The Finnish legacy: sub umbra Sibelii Ilkka Oramo; 11. Sibelius in Germany: Wahrhaftigkeit beyond Allnatur Tomi Mäkelä; 12. Sibelius in Britain Peter Franklin; 13. Sibelius and contemporary music Julian Anderson; Part IV. Interpreting Sibelius: 14. Different kinds of fidelity: interpreting Sibelius on record Bethany Lowe; 15. Interpreting Sibelius Sir Colin Davis and Osmo Vänskä in conversation with Daniel M. Grimley Sir Colin Davis, Osmo Vänskä and Daniel M. Grimley.