Laura Marcus is Goldsmiths' Professor of English Literature and a Fellow of New College at the University of Oxford. She has published widely on nineteenth- and twentieth-century literature and culture. Her publications include Auto/biographical Discourses: Theory, Criticism, Practice (1994/1998), Virginia Woolf: Writers and their Work (1997, new edition 2004), and The Tenth Muse: Writing about Cinema in the Modernist Period (2007). She has edited or co-edited a number of volumes, including The Actuality of Walter Benjamin (1993/1998), 'Close Up' 1927–1933: Cinema and Modernism (1998), Sigmund Freud's 'The Interpretation of Dreams': New Interdisciplinary Essays (1999), and Mass-Observation as Poetics and Science (2001). Peter Nicholls is Professor of English at New York University. His publications include Ezra Pound: Politics, Economics and Writing, Modernisms: A Literary Guide, George Oppen and the Fate of Modernism, and many articles and essays on literature and theory. He recently co-edited On Bathos and is currently U.S. editor of Textual Practice.

'The Cambridge History of Twentieth-Century English Literature is an event to be celebrated by modernist and other twentieth-century scholars …individual contributions are, without exception, written with both intelligence and an engaging energy, and many, even most, manage both to present economically what 'everyone knows or else should know' … 'The Cambridge History of Twentieth-Century English Literature is then an altogether fitting monument to the literature of the past century, and a rich artifact of modernist and twentieth-century studies …' Kevin J .H. Dettmar, Modernism/Modernity

• Introduction Laura Marcus and Peter Nicholls; Part I. Before Modernism: 1. Science and knowledge at the beginning of the twentieth century Patrick Parrinder; 2. The Victorian Fin de Siècle and the decadence century: versions of the modern Enlightenment Regenia Gagnier; 3. Empire and modern writing Elleke Boehmer; 4. The gender of modernity Ann Ardis; Part II. The Emerging Avant-Garde: 5. Edwardians to Georgians Robert Caserio; 6. The avant-garde, Bohemia, and mainstream culture Tyrus Miller; 7. 'Our London, my London, your London': the modernist moment in the metropolis Peter Brooker; 8. Futurism, literature and the market Paul Edwards; 9. Literature and the First World War Vincent Sherry; Part III. Modernism and its Aftermath, 1918–1945: 10. Trauma and war memory Deborah Parsons; 11. The time-mind of the nineteen-twenties Michael Levenson; 12. Modern life: fiction and satire David Bradshaw; 13. Modernist poetry and poetics Ronald Bush; 14. Modernity and myth Steven Connor; 15. Psychoanalysis and literature Lyndsey Stonebridge; 16. Biography and autobiography: 1918–45 Max Saunders; 17. 'Speed, violence, women, America': popular fictions, 1918–1945 David Glover; 18. Theatre and drama between the wars 1918–1939 Maggie Gale; 19. Literature and cinema Laura Marcus; 20. The 1930s Rod Mengham; 21. Literary criticism and cultural politics David Ayers; 22. Surrealism in England Peter Nicholls; 23. World War Two: Contested Europe Adam Piette; 24. World War Two: the city in ruins Michael North; Part IV. 1945–1970: Postwar Cultures: 25. Culture, class and education, 1945–70 Ken Hirschkop; 26. Post-War broadcast drama Keith Williams; 27. Drama and the new theatre companies Trevor Griffiths; 28. British poetry 1945–1970: Modernism and anti-modernism Keith Tuma and Nate Dorward; 29. Nation, region, place: devolving cultures Morag Shiach; 30. The nineteen-sixties: Realism and experiment John Lucas; 31.'Voyaging in': colonialism and migration 1945–70 Susheila Nasta; Part V. 1970–2000: 32. The seventies and the cult of culture Tim Armstrong; 33. Feminism and writing: the politics of culture Patricia Waugh; 34. The half-lives of literary fictions: genre fictions in the twentieth century Scott McCracken; 35. Theatre and politics 1970–2002 Simon Shepherd; 36. Tradition and modernity: Irish literature since 1970 Ronan McDonald; 37. Second Renaissance: Scottish literature since 1968 Gerry Carruthers; 38. Towards devolution: Welsh writing since 1970 Jane Aaron; 39. British-Jewish writing and the turn towards diaspora Bryan Cheyette; 40. Fiction and postmodernity Julian Murphet; 41. Postcolonial fictions Tim Woods; 42. Writing lives: biography and autobiography 1970–2000 Alison Light; 43. Poetry since 1970 Peter Middleton; 44. Ending the century: literature and digital technology Roger Luckhurst.

Laura Marcus is Goldsmiths' Professor of English Literature and a Fellow of New College at the University of Oxford. She has published widely on nineteenth- and twentieth-century literature and culture. Her publications include Auto/biographical Discourses: Theory, Criticism, Practice (1994/1998), Virginia Woolf: Writers and their Work (1997, new edition 2004), and The Tenth Muse: Writing about Cinema in the Modernist Period (2007). She has edited or co-edited a number of volumes, including The Actuality of Walter Benjamin (1993/1998), 'Close Up' 1927–1933: Cinema and Modernism (1998), Sigmund Freud's 'The Interpretation of Dreams': New Interdisciplinary Essays (1999), and Mass-Observation as Poetics and Science (2001). Peter Nicholls is Professor of English at New York University. His publications include Ezra Pound: Politics, Economics and Writing, Modernisms: A Literary Guide, George Oppen and the Fate of Modernism, and many articles and essays on literature and theory. He recently co-edited On Bathos and is currently U.S. editor of Textual Practice.

'The Cambridge History of Twentieth-Century English Literature is an event to be celebrated by modernist and other twentieth-century scholars …individual contributions are, without exception, written with both intelligence and an engaging energy, and many, even most, manage both to present economically what 'everyone knows or else should know' … 'The Cambridge History of Twentieth-Century English Literature is then an altogether fitting monument to the literature of the past century, and a rich artifact of modernist and twentieth-century studies …' Kevin J .H. Dettmar, Modernism/Modernity

• Introduction Laura Marcus and Peter Nicholls; Part I. Before Modernism: 1. Science and knowledge at the beginning of the twentieth century Patrick Parrinder; 2. The Victorian Fin de Siècle and the decadence century: versions of the modern Enlightenment Regenia Gagnier; 3. Empire and modern writing Elleke Boehmer; 4. The gender of modernity Ann Ardis; Part II. The Emerging Avant-Garde: 5. Edwardians to Georgians Robert Caserio; 6. The avant-garde, Bohemia, and mainstream culture Tyrus Miller; 7. 'Our London, my London, your London': the modernist moment in the metropolis Peter Brooker; 8. Futurism, literature and the market Paul Edwards; 9. Literature and the First World War Vincent Sherry; Part III. Modernism and its Aftermath, 1918–1945: 10. Trauma and war memory Deborah Parsons; 11. The time-mind of the nineteen-twenties Michael Levenson; 12. Modern life: fiction and satire David Bradshaw; 13. Modernist poetry and poetics Ronald Bush; 14. Modernity and myth Steven Connor; 15. Psychoanalysis and literature Lyndsey Stonebridge; 16. Biography and autobiography: 1918–45 Max Saunders; 17. 'Speed, violence, women, America': popular fictions, 1918–1945 David Glover; 18. Theatre and drama between the wars 1918–1939 Maggie Gale; 19. Literature and cinema Laura Marcus; 20. The 1930s Rod Mengham; 21. Literary criticism and cultural politics David Ayers; 22. Surrealism in England Peter Nicholls; 23. World War Two: Contested Europe Adam Piette; 24. World War Two: the city in ruins Michael North; Part IV. 1945–1970: Postwar Cultures: 25. Culture, class and education, 1945–70 Ken Hirschkop; 26. Post-War broadcast drama Keith Williams; 27. Drama and the new theatre companies Trevor Griffiths; 28. British poetry 1945–1970: Modernism and anti-modernism Keith Tuma and Nate Dorward; 29. Nation, region, place: devolving cultures Morag Shiach; 30. The nineteen-sixties: Realism and experiment John Lucas; 31.'Voyaging in': colonialism and migration 1945–70 Susheila Nasta; Part V. 1970–2000: 32. The seventies and the cult of culture Tim Armstrong; 33. Feminism and writing: the politics of culture Patricia Waugh; 34. The half-lives of literary fictions: genre fictions in the twentieth century Scott McCracken; 35. Theatre and politics 1970–2002 Simon Shepherd; 36. Tradition and modernity: Irish literature since 1970 Ronan McDonald; 37. Second Renaissance: Scottish literature since 1968 Gerry Carruthers; 38. Towards devolution: Welsh writing since 1970 Jane Aaron; 39. British-Jewish writing and the turn towards diaspora Bryan Cheyette; 40. Fiction and postmodernity Julian Murphet; 41. Postcolonial fictions Tim Woods; 42. Writing lives: biography and autobiography 1970–2000 Alison Light; 43. Poetry since 1970 Peter Middleton; 44. Ending the century: literature and digital technology Roger Luckhurst.

Laura Marcus is Goldsmiths' Professor of English Literature and a Fellow of New College at the University of Oxford. She has published widely on nineteenth- and twentieth-century literature and culture. Her publications include Auto/biographical Discourses: Theory, Criticism, Practice (1994/1998), Virginia Woolf: Writers and their Work (1997, new edition 2004), and The Tenth Muse: Writing about Cinema in the Modernist Period (2007). She has edited or co-edited a number of volumes, including The Actuality of Walter Benjamin (1993/1998), 'Close Up' 1927–1933: Cinema and Modernism (1998), Sigmund Freud's 'The Interpretation of Dreams': New Interdisciplinary Essays (1999), and Mass-Observation as Poetics and Science (2001). Peter Nicholls is Professor of English at New York University. His publications include Ezra Pound: Politics, Economics and Writing, Modernisms: A Literary Guide, George Oppen and the Fate of Modernism, and many articles and essays on literature and theory. He recently co-edited On Bathos and is currently U.S. editor of Textual Practice.

'The Cambridge History of Twentieth-Century English Literature is an event to be celebrated by modernist and other twentieth-century scholars …individual contributions are, without exception, written with both intelligence and an engaging energy, and many, even most, manage both to present economically what 'everyone knows or else should know' … 'The Cambridge History of Twentieth-Century English Literature is then an altogether fitting monument to the literature of the past century, and a rich artifact of modernist and twentieth-century studies …' Kevin J .H. Dettmar, Modernism/Modernity

• Introduction Laura Marcus and Peter Nicholls; Part I. Before Modernism: 1. Science and knowledge at the beginning of the twentieth century Patrick Parrinder; 2. The Victorian Fin de Siècle and the decadence century: versions of the modern Enlightenment Regenia Gagnier; 3. Empire and modern writing Elleke Boehmer; 4. The gender of modernity Ann Ardis; Part II. The Emerging Avant-Garde: 5. Edwardians to Georgians Robert Caserio; 6. The avant-garde, Bohemia, and mainstream culture Tyrus Miller; 7. 'Our London, my London, your London': the modernist moment in the metropolis Peter Brooker; 8. Futurism, literature and the market Paul Edwards; 9. Literature and the First World War Vincent Sherry; Part III. Modernism and its Aftermath, 1918–1945: 10. Trauma and war memory Deborah Parsons; 11. The time-mind of the nineteen-twenties Michael Levenson; 12. Modern life: fiction and satire David Bradshaw; 13. Modernist poetry and poetics Ronald Bush; 14. Modernity and myth Steven Connor; 15. Psychoanalysis and literature Lyndsey Stonebridge; 16. Biography and autobiography: 1918–45 Max Saunders; 17. 'Speed, violence, women, America': popular fictions, 1918–1945 David Glover; 18. Theatre and drama between the wars 1918–1939 Maggie Gale; 19. Literature and cinema Laura Marcus; 20. The 1930s Rod Mengham; 21. Literary criticism and cultural politics David Ayers; 22. Surrealism in England Peter Nicholls; 23. World War Two: Contested Europe Adam Piette; 24. World War Two: the city in ruins Michael North; Part IV. 1945–1970: Postwar Cultures: 25. Culture, class and education, 1945–70 Ken Hirschkop; 26. Post-War broadcast drama Keith Williams; 27. Drama and the new theatre companies Trevor Griffiths; 28. British poetry 1945–1970: Modernism and anti-modernism Keith Tuma and Nate Dorward; 29. Nation, region, place: devolving cultures Morag Shiach; 30. The nineteen-sixties: Realism and experiment John Lucas; 31.'Voyaging in': colonialism and migration 1945–70 Susheila Nasta; Part V. 1970–2000: 32. The seventies and the cult of culture Tim Armstrong; 33. Feminism and writing: the politics of culture Patricia Waugh; 34. The half-lives of literary fictions: genre fictions in the twentieth century Scott McCracken; 35. Theatre and politics 1970–2002 Simon Shepherd; 36. Tradition and modernity: Irish literature since 1970 Ronan McDonald; 37. Second Renaissance: Scottish literature since 1968 Gerry Carruthers; 38. Towards devolution: Welsh writing since 1970 Jane Aaron; 39. British-Jewish writing and the turn towards diaspora Bryan Cheyette; 40. Fiction and postmodernity Julian Murphet; 41. Postcolonial fictions Tim Woods; 42. Writing lives: biography and autobiography 1970–2000 Alison Light; 43. Poetry since 1970 Peter Middleton; 44. Ending the century: literature and digital technology Roger Luckhurst.