José Antonio Bowen is Caestecker Chair of Music and Director of the Music Program at Georgetown University. He is also the Director of the Music Program and Director of the Centre for the History and Analysis of Recorded Music (CHARM).

'… a rewarding and often revealing read …'. Classical Music

• Part I. Practice: 1. The technique of conducting Raymond Holden; 2. Conductors in rehearsal Charles Barber; 3. Studio conduction Michael Haas; 4. The conductor and the soloist Joseph Silverstein; 5. Choral conducting Vance George; 6. Opera conducting Sir Charles Mackerras; 7. The orchestra speaks Robert L. Ripley; Part II. History: 8. The rise of conductors José Antonio Bowen; 9. The central European tradition José Antonio Bowen and Raymond Holden; 10. The French tradition David Cairns; 11. The Italian tradition Michael Rose; 12. The American tradition José Antonio Bowen and David Mermelstein; 13. The English tradition Stephen Johnson; 14. The Russian tradition David Nice; Part III. Issues: 15. The conductor as Artistic Director Bramwell Tovey; 16. Women on the podium Michelle Edwards; 17. Conducting early music Bernard Sherman; 18. Training conductors Harold Faberman; 19. The composer/conductor and modern music Martyn Brabbins; 20. Managers and the business of conduction Stephen Wright; 21. The future of conducting Leon Botstein.

José Antonio Bowen is Caestecker Chair of Music and Director of the Music Program at Georgetown University. He is also the Director of the Music Program and Director of the Centre for the History and Analysis of Recorded Music (CHARM).

'… a rewarding and often revealing read …'. Classical Music

• Part I. Practice: 1. The technique of conducting Raymond Holden; 2. Conductors in rehearsal Charles Barber; 3. Studio conduction Michael Haas; 4. The conductor and the soloist Joseph Silverstein; 5. Choral conducting Vance George; 6. Opera conducting Sir Charles Mackerras; 7. The orchestra speaks Robert L. Ripley; Part II. History: 8. The rise of conductors José Antonio Bowen; 9. The central European tradition José Antonio Bowen and Raymond Holden; 10. The French tradition David Cairns; 11. The Italian tradition Michael Rose; 12. The American tradition José Antonio Bowen and David Mermelstein; 13. The English tradition Stephen Johnson; 14. The Russian tradition David Nice; Part III. Issues: 15. The conductor as Artistic Director Bramwell Tovey; 16. Women on the podium Michelle Edwards; 17. Conducting early music Bernard Sherman; 18. Training conductors Harold Faberman; 19. The composer/conductor and modern music Martyn Brabbins; 20. Managers and the business of conduction Stephen Wright; 21. The future of conducting Leon Botstein.

José Antonio Bowen is Caestecker Chair of Music and Director of the Music Program at Georgetown University. He is also the Director of the Music Program and Director of the Centre for the History and Analysis of Recorded Music (CHARM).

'… a rewarding and often revealing read …'. Classical Music

• Part I. Practice: 1. The technique of conducting Raymond Holden; 2. Conductors in rehearsal Charles Barber; 3. Studio conduction Michael Haas; 4. The conductor and the soloist Joseph Silverstein; 5. Choral conducting Vance George; 6. Opera conducting Sir Charles Mackerras; 7. The orchestra speaks Robert L. Ripley; Part II. History: 8. The rise of conductors José Antonio Bowen; 9. The central European tradition José Antonio Bowen and Raymond Holden; 10. The French tradition David Cairns; 11. The Italian tradition Michael Rose; 12. The American tradition José Antonio Bowen and David Mermelstein; 13. The English tradition Stephen Johnson; 14. The Russian tradition David Nice; Part III. Issues: 15. The conductor as Artistic Director Bramwell Tovey; 16. Women on the podium Michelle Edwards; 17. Conducting early music Bernard Sherman; 18. Training conductors Harold Faberman; 19. The composer/conductor and modern music Martyn Brabbins; 20. Managers and the business of conduction Stephen Wright; 21. The future of conducting Leon Botstein.