THERE’S A LITTLE BIT OF CINDERELLA IN EVERY WOMAN . . .

. . . except Darby Landon, or so she thinks before meeting the three fairy godmothers of Glass Slipper, Inc. They guarantee they can bring out the princess in any woman. But they’ll have their work cut out for them with Darby, who’s more comfortable in jeans and cowboy boots than designer gowns. But when she’s called from her Montana ranch to squire her impossible-to-please father’s star client around the D.C. social scene, Darby has to turn into the queen of chic . . . and fast.

Between torture-chamber sessions of tweezing and teasing, and horrifying lessons on place settings, Darby finds herself drawn into a fairy-tale romance of the very adult variety with Shane Morgan, the devastatingly sexy (and reluctant) heir to one of the city’s largest companies. But when another Prince Charming arrives on the scene, Darby‘s caught between the woman she is and the woman she’s supposed to be, between two very different irresistible bad boys. Now Darby has to choose her own happy ending . . . and with the help of three very unusual fairy godmothers, this modern-day Cinderella is determined to stay dancing way past midnight—no pumpkins required.


From the Trade Paperback edition.

THERE’S A LITTLE BIT OF CINDERELLA IN EVERY WOMAN . . .

. . . except Darby Landon, or so she thinks before meeting the three fairy godmothers of Glass Slipper, Inc. They guarantee they can bring out the princess in any woman. But they’ll have their work cut out for them with Darby, who’s more comfortable in jeans and cowboy boots than designer gowns. But when she’s called from her Montana ranch to squire her impossible-to-please father’s star client around the D.C. social scene, Darby has to turn into the queen of chic . . . and fast.

Between torture-chamber sessions of tweezing and teasing, and horrifying lessons on place settings, Darby finds herself drawn into a fairy-tale romance of the very adult variety with Shane Morgan, the devastatingly sexy (and reluctant) heir to one of the city’s largest companies. But when another Prince Charming arrives on the scene, Darby‘s caught between the woman she is and the woman she’s supposed to be, between two very different irresistible bad boys. Now Darby has to choose her own happy ending . . . and with the help of three very unusual fairy godmothers, this modern-day Cinderella is determined to stay dancing way past midnight—no pumpkins required.


From the Trade Paperback edition.

THERE’S A LITTLE BIT OF CINDERELLA IN EVERY WOMAN . . .

. . . except Darby Landon, or so she thinks before meeting the three fairy godmothers of Glass Slipper, Inc. They guarantee they can bring out the princess in any woman. But they’ll have their work cut out for them with Darby, who’s more comfortable in jeans and cowboy boots than designer gowns. But when she’s called from her Montana ranch to squire her impossible-to-please father’s star client around the D.C. social scene, Darby has to turn into the queen of chic . . . and fast.

Between torture-chamber sessions of tweezing and teasing, and horrifying lessons on place settings, Darby finds herself drawn into a fairy-tale romance of the very adult variety with Shane Morgan, the devastatingly sexy (and reluctant) heir to one of the city’s largest companies. But when another Prince Charming arrives on the scene, Darby‘s caught between the woman she is and the woman she’s supposed to be, between two very different irresistible bad boys. Now Darby has to choose her own happy ending . . . and with the help of three very unusual fairy godmothers, this modern-day Cinderella is determined to stay dancing way past midnight—no pumpkins required.


From the Trade Paperback edition.