Martin Crimp was born in 1956. His play Attempts on Her Life (1997) established his international reputation. His other work for theatre includes Not One of These People, When We Have Sufficiently Tortured Each Other, Men Asleep, The Rest Will be Familiar to You from Cinema, In the Republic of Happiness, Play House, The City, Fewer Emergencies, Cruel and Tender, The Country, The Treatment, Getting Attention, No One Sees the Video, Play with Repeats, Dealing with Clair and Definitely the Bahamas. He is also the author of three texts, Into the Little Hill, Written on Skin and Lessons in Love and Violence, for operas by George Benjamin. His many translations of French plays include works by Genet, Ionesco, Koltès, Marivaux and Molière. Writing for Nothing, a collection of fiction, short plays and texts for opera, was published by Faber & Faber in 2019.

"Attempts on Her Life; 'Crimp writes with extraordinary precision. He has discovered a dramatic form that perfectly reflects the violent, disorienting times in which we live.' Daily Telegraph; The Misanthrope; 'This is not just an updating of Moliere's great social tragi-comedy but a thrillingly sophisticated modern version of a classical play... The writing is cool, sharp and ferociously funny.' Sunday Times; No One Sees the Video; 'Crimp's dialogue is spare, edgy, rigorously controlled and often very funny. But beneath the poised surface of the words, he creates a growing feeling of tension, even of menace, of lives of quiet but nonetheless profound desperation.' Daily Telegraph; The Country; 'In the modern manner, this is a short, sharp shock, without redemption. In the language of drugs, a hit.' Sunday Times 'Martin Crimp is one of the hottest properties in Europe.' Guardian

Martin Crimp was born in 1956. His play Attempts on Her Life (1997) established his international reputation. His other work for theatre includes Not One of These People, When We Have Sufficiently Tortured Each Other, Men Asleep, The Rest Will be Familiar to You from Cinema, In the Republic of Happiness, Play House, The City, Fewer Emergencies, Cruel and Tender, The Country, The Treatment, Getting Attention, No One Sees the Video, Play with Repeats, Dealing with Clair and Definitely the Bahamas. He is also the author of three texts, Into the Little Hill, Written on Skin and Lessons in Love and Violence, for operas by George Benjamin. His many translations of French plays include works by Genet, Ionesco, Koltès, Marivaux and Molière. Writing for Nothing, a collection of fiction, short plays and texts for opera, was published by Faber & Faber in 2019.

"Attempts on Her Life; 'Crimp writes with extraordinary precision. He has discovered a dramatic form that perfectly reflects the violent, disorienting times in which we live.' Daily Telegraph; The Misanthrope; 'This is not just an updating of Moliere's great social tragi-comedy but a thrillingly sophisticated modern version of a classical play... The writing is cool, sharp and ferociously funny.' Sunday Times; No One Sees the Video; 'Crimp's dialogue is spare, edgy, rigorously controlled and often very funny. But beneath the poised surface of the words, he creates a growing feeling of tension, even of menace, of lives of quiet but nonetheless profound desperation.' Daily Telegraph; The Country; 'In the modern manner, this is a short, sharp shock, without redemption. In the language of drugs, a hit.' Sunday Times 'Martin Crimp is one of the hottest properties in Europe.' Guardian

Martin Crimp was born in 1956. His play Attempts on Her Life (1997) established his international reputation. His other work for theatre includes Not One of These People, When We Have Sufficiently Tortured Each Other, Men Asleep, The Rest Will be Familiar to You from Cinema, In the Republic of Happiness, Play House, The City, Fewer Emergencies, Cruel and Tender, The Country, The Treatment, Getting Attention, No One Sees the Video, Play with Repeats, Dealing with Clair and Definitely the Bahamas. He is also the author of three texts, Into the Little Hill, Written on Skin and Lessons in Love and Violence, for operas by George Benjamin. His many translations of French plays include works by Genet, Ionesco, Koltès, Marivaux and Molière. Writing for Nothing, a collection of fiction, short plays and texts for opera, was published by Faber & Faber in 2019.

"Attempts on Her Life; 'Crimp writes with extraordinary precision. He has discovered a dramatic form that perfectly reflects the violent, disorienting times in which we live.' Daily Telegraph; The Misanthrope; 'This is not just an updating of Moliere's great social tragi-comedy but a thrillingly sophisticated modern version of a classical play... The writing is cool, sharp and ferociously funny.' Sunday Times; No One Sees the Video; 'Crimp's dialogue is spare, edgy, rigorously controlled and often very funny. But beneath the poised surface of the words, he creates a growing feeling of tension, even of menace, of lives of quiet but nonetheless profound desperation.' Daily Telegraph; The Country; 'In the modern manner, this is a short, sharp shock, without redemption. In the language of drugs, a hit.' Sunday Times 'Martin Crimp is one of the hottest properties in Europe.' Guardian