Andrew Ford is Professor of Classics at Princeton University. He is the author of "Homer: The Poetry of the Past" and of numerous articles on Greek literature and literary history.

One of Choice's Outstanding Academic Titles for 2003 "Andrew Ford has written lively and sophisticated account of the evolution of criticism as an autonomous activity, and illuminated the origins of the modern-day equivalent of those antique experts in literature--the professional academic... [W]hat distinguishes Ford's work from previous studies is the breadth of his scholarship, the detail of his analysis, and above all his historicist approach."--Penelope Murray, Times Literary Supplement "Andrew Ford has taken on the enormous task of tracing the historical background of critical language and the establishment of criticism as a distinct discilpine. He has executed this task with precision, poignancy, and insightful erudition... [T]his eloquent book will be an instant complement to any study of the history of criticism."--Eustratios Papaioannou, Bryn Mawr Classical Review "Ford collects in this volume much useful information about classica literary criticism from Homer to Aristotle... [An] important volume."--Choice

• PREFACE ix ABBREVIATIONS xiii INTRODUCTION Defining Criticism from Homer to Aristotle 1 PART I ARCHAIC ROOTS OF CLASSICAL AESTHETICS 23 ONE Table Talkand Symposium 25 TWO Xenophanes and the "Ancient Quarrel" 46 THREE Allegory and the Traditions of Epic Interpretation 67 PART II: THE INVENTION OF POETRY 91 FOUR Song and Artifact: Simonidean Monuments 93 FIVE Singer and Craftsman in Pindar and Bacchylides 113 SIX The Origin of the Word "Poet" 131 PART III: TOWARD A THEORY OF POETRY 159 SEVEN Materialist Poetics: Democritus and Gorgias 161 EIGHT Literary Culture and Democracy: Poets and Teachers in Classical Athens 188 NINE Literary Culture in Plato's Republic :The Sound of Ideology 209 PART IV LITERARY THEORY IN THE FOURTH CENTURY 227 TEN The Invention of Literature: Theories of Prose and the Theory of Poetry 229 ELEVEN Laws of Poetry: Genre and the Literary System 250 TWELVE The Rise of the Critic: Poetic Contests from Homer to Aristotle 272 EPILOGUE 294 BIBLIOGRAPHY 297 INDEX OF PASSAGES ISCUSSED 331

Andrew Ford is Professor of Classics at Princeton University. He is the author of "Homer: The Poetry of the Past" and of numerous articles on Greek literature and literary history.

One of Choice's Outstanding Academic Titles for 2003 "Andrew Ford has written lively and sophisticated account of the evolution of criticism as an autonomous activity, and illuminated the origins of the modern-day equivalent of those antique experts in literature--the professional academic... [W]hat distinguishes Ford's work from previous studies is the breadth of his scholarship, the detail of his analysis, and above all his historicist approach."--Penelope Murray, Times Literary Supplement "Andrew Ford has taken on the enormous task of tracing the historical background of critical language and the establishment of criticism as a distinct discilpine. He has executed this task with precision, poignancy, and insightful erudition... [T]his eloquent book will be an instant complement to any study of the history of criticism."--Eustratios Papaioannou, Bryn Mawr Classical Review "Ford collects in this volume much useful information about classica literary criticism from Homer to Aristotle... [An] important volume."--Choice

• PREFACE ix ABBREVIATIONS xiii INTRODUCTION Defining Criticism from Homer to Aristotle 1 PART I ARCHAIC ROOTS OF CLASSICAL AESTHETICS 23 ONE Table Talkand Symposium 25 TWO Xenophanes and the "Ancient Quarrel" 46 THREE Allegory and the Traditions of Epic Interpretation 67 PART II: THE INVENTION OF POETRY 91 FOUR Song and Artifact: Simonidean Monuments 93 FIVE Singer and Craftsman in Pindar and Bacchylides 113 SIX The Origin of the Word "Poet" 131 PART III: TOWARD A THEORY OF POETRY 159 SEVEN Materialist Poetics: Democritus and Gorgias 161 EIGHT Literary Culture and Democracy: Poets and Teachers in Classical Athens 188 NINE Literary Culture in Plato's Republic :The Sound of Ideology 209 PART IV LITERARY THEORY IN THE FOURTH CENTURY 227 TEN The Invention of Literature: Theories of Prose and the Theory of Poetry 229 ELEVEN Laws of Poetry: Genre and the Literary System 250 TWELVE The Rise of the Critic: Poetic Contests from Homer to Aristotle 272 EPILOGUE 294 BIBLIOGRAPHY 297 INDEX OF PASSAGES ISCUSSED 331

Andrew Ford is Professor of Classics at Princeton University. He is the author of "Homer: The Poetry of the Past" and of numerous articles on Greek literature and literary history.

One of Choice's Outstanding Academic Titles for 2003 "Andrew Ford has written lively and sophisticated account of the evolution of criticism as an autonomous activity, and illuminated the origins of the modern-day equivalent of those antique experts in literature--the professional academic... [W]hat distinguishes Ford's work from previous studies is the breadth of his scholarship, the detail of his analysis, and above all his historicist approach."--Penelope Murray, Times Literary Supplement "Andrew Ford has taken on the enormous task of tracing the historical background of critical language and the establishment of criticism as a distinct discilpine. He has executed this task with precision, poignancy, and insightful erudition... [T]his eloquent book will be an instant complement to any study of the history of criticism."--Eustratios Papaioannou, Bryn Mawr Classical Review "Ford collects in this volume much useful information about classica literary criticism from Homer to Aristotle... [An] important volume."--Choice

• PREFACE ix ABBREVIATIONS xiii INTRODUCTION Defining Criticism from Homer to Aristotle 1 PART I ARCHAIC ROOTS OF CLASSICAL AESTHETICS 23 ONE Table Talkand Symposium 25 TWO Xenophanes and the "Ancient Quarrel" 46 THREE Allegory and the Traditions of Epic Interpretation 67 PART II: THE INVENTION OF POETRY 91 FOUR Song and Artifact: Simonidean Monuments 93 FIVE Singer and Craftsman in Pindar and Bacchylides 113 SIX The Origin of the Word "Poet" 131 PART III: TOWARD A THEORY OF POETRY 159 SEVEN Materialist Poetics: Democritus and Gorgias 161 EIGHT Literary Culture and Democracy: Poets and Teachers in Classical Athens 188 NINE Literary Culture in Plato's Republic :The Sound of Ideology 209 PART IV LITERARY THEORY IN THE FOURTH CENTURY 227 TEN The Invention of Literature: Theories of Prose and the Theory of Poetry 229 ELEVEN Laws of Poetry: Genre and the Literary System 250 TWELVE The Rise of the Critic: Poetic Contests from Homer to Aristotle 272 EPILOGUE 294 BIBLIOGRAPHY 297 INDEX OF PASSAGES ISCUSSED 331