Chielozona Eze is associate professor of English and postcolonial studies at Northeastern Illinois University, Chicago.

Eze (Northeastern Illinois Univ.) is aware of the many cultures of Africa, despite the title of his book, and he notes that the reader should acknowledge that Africa is not one monolithic culture. Eze takes issue with the delusion of Africa's racial innocence, a notion that has permeated world culture and literature and is largely due to Africa's violent encounters with Western powers. He asserts that there is a guilt-driven discourse in Africa and about Africa and seeks to challenge that. The text is divided into eight chapters. In chapter 1, Eze discusses the works of significant African writers and critics—Chinua Achebe, Moses Ebe Ochonu. In subsequent chapters he considers, among other things, the ideas of Edward Wilmot Blyden as a pioneer of pan-Negro thinkers in the West (and challenges many of Blyden's ideas, theories, and conclusions); the importance and monumental influence of Achebe's Things Fall Apart; and the role of the new African writers in regenerating the African mind. Readers with no knowledge of African literature, history, authors, and critics will find the book difficult to follow and understand. Summing Up: Recommended.

• Part I: Morality Born of the Feeling of HurtChapter One: Postcolonial States of Injury and Moral ImaginationsChapter Two: The Moral Reinvention of AfricaChapter Three: Things Fall Apart and the Invention of the African CultureChapter Four: The Pitfalls of African FeminismChapter Five: Robert Mugabe and the Symbolic Power of HistoryPart II: Moral Values of the Awareness of VulnerabilityChapter Six: Frantz Fanon and the Search for New Discourse ParadigmsChapter Seven: Wole Soyinka and the Moral Foundations of CommunityChapter Eight: Literature and the Task of Increasing the Sum Total of Humanity

Chielozona Eze is associate professor of English and postcolonial studies at Northeastern Illinois University, Chicago.

Eze (Northeastern Illinois Univ.) is aware of the many cultures of Africa, despite the title of his book, and he notes that the reader should acknowledge that Africa is not one monolithic culture. Eze takes issue with the delusion of Africa's racial innocence, a notion that has permeated world culture and literature and is largely due to Africa's violent encounters with Western powers. He asserts that there is a guilt-driven discourse in Africa and about Africa and seeks to challenge that. The text is divided into eight chapters. In chapter 1, Eze discusses the works of significant African writers and critics—Chinua Achebe, Moses Ebe Ochonu. In subsequent chapters he considers, among other things, the ideas of Edward Wilmot Blyden as a pioneer of pan-Negro thinkers in the West (and challenges many of Blyden's ideas, theories, and conclusions); the importance and monumental influence of Achebe's Things Fall Apart; and the role of the new African writers in regenerating the African mind. Readers with no knowledge of African literature, history, authors, and critics will find the book difficult to follow and understand. Summing Up: Recommended.

• Part I: Morality Born of the Feeling of HurtChapter One: Postcolonial States of Injury and Moral ImaginationsChapter Two: The Moral Reinvention of AfricaChapter Three: Things Fall Apart and the Invention of the African CultureChapter Four: The Pitfalls of African FeminismChapter Five: Robert Mugabe and the Symbolic Power of HistoryPart II: Moral Values of the Awareness of VulnerabilityChapter Six: Frantz Fanon and the Search for New Discourse ParadigmsChapter Seven: Wole Soyinka and the Moral Foundations of CommunityChapter Eight: Literature and the Task of Increasing the Sum Total of Humanity

Chielozona Eze is associate professor of English and postcolonial studies at Northeastern Illinois University, Chicago.

Eze (Northeastern Illinois Univ.) is aware of the many cultures of Africa, despite the title of his book, and he notes that the reader should acknowledge that Africa is not one monolithic culture. Eze takes issue with the delusion of Africa's racial innocence, a notion that has permeated world culture and literature and is largely due to Africa's violent encounters with Western powers. He asserts that there is a guilt-driven discourse in Africa and about Africa and seeks to challenge that. The text is divided into eight chapters. In chapter 1, Eze discusses the works of significant African writers and critics—Chinua Achebe, Moses Ebe Ochonu. In subsequent chapters he considers, among other things, the ideas of Edward Wilmot Blyden as a pioneer of pan-Negro thinkers in the West (and challenges many of Blyden's ideas, theories, and conclusions); the importance and monumental influence of Achebe's Things Fall Apart; and the role of the new African writers in regenerating the African mind. Readers with no knowledge of African literature, history, authors, and critics will find the book difficult to follow and understand. Summing Up: Recommended.

• Part I: Morality Born of the Feeling of HurtChapter One: Postcolonial States of Injury and Moral ImaginationsChapter Two: The Moral Reinvention of AfricaChapter Three: Things Fall Apart and the Invention of the African CultureChapter Four: The Pitfalls of African FeminismChapter Five: Robert Mugabe and the Symbolic Power of HistoryPart II: Moral Values of the Awareness of VulnerabilityChapter Six: Frantz Fanon and the Search for New Discourse ParadigmsChapter Seven: Wole Soyinka and the Moral Foundations of CommunityChapter Eight: Literature and the Task of Increasing the Sum Total of Humanity