Shankar Raman is Associate Professor in the Faculty of Literature at MIT. He is the author of Framing "India": The Colonial Imaginary in Early Modern Culture (Stanford University Press, 2002).

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• Series Editors' PrefaceList of IllustrationsAcknowledgementsTimeline1 Exploring the TerrainRenaissance Anti-colonialismsImperial TranslationsCannibalsGender and RaceDifference and Repetition2 DebatesTexts and Contexts Tempestuous HistoriesPostcolonial Reactivations of The TempestTheory after ShakespeareOthers and SelvesIreland: Civilised Selves and Barbarous OthersSpain and Turkey: Protestantism and its OthersThinking Differently about Others: Olearius' Travels3 Case StudiesTwo Ways of Looking at Colonial BeginningsUnfinished Histories: Gil Vicente's Auto da ÍndiaHistory as Myth: Luis Vaz de Camões' Os LusíadasTwo Ways of Writing the HeathenWriting the New World Native: de Bry's America IWriting the Chinese: de Bry's India Orientalis IIThe Brome-an Empire: Wonder and Theatre in The AntipodesCan't Buy me Love: John Donne's "Loves Progress"Revolutions that Have No Model: Marlowe's Tamburlaine the Great Primary Works CitedSecondary Works CitedFurther ReadingIndex

Shankar Raman is Associate Professor in the Faculty of Literature at MIT. He is the author of Framing "India": The Colonial Imaginary in Early Modern Culture (Stanford University Press, 2002).

Select Guide Rating

• Series Editors' PrefaceList of IllustrationsAcknowledgementsTimeline1 Exploring the TerrainRenaissance Anti-colonialismsImperial TranslationsCannibalsGender and RaceDifference and Repetition2 DebatesTexts and Contexts Tempestuous HistoriesPostcolonial Reactivations of The TempestTheory after ShakespeareOthers and SelvesIreland: Civilised Selves and Barbarous OthersSpain and Turkey: Protestantism and its OthersThinking Differently about Others: Olearius' Travels3 Case StudiesTwo Ways of Looking at Colonial BeginningsUnfinished Histories: Gil Vicente's Auto da ÍndiaHistory as Myth: Luis Vaz de Camões' Os LusíadasTwo Ways of Writing the HeathenWriting the New World Native: de Bry's America IWriting the Chinese: de Bry's India Orientalis IIThe Brome-an Empire: Wonder and Theatre in The AntipodesCan't Buy me Love: John Donne's "Loves Progress"Revolutions that Have No Model: Marlowe's Tamburlaine the Great Primary Works CitedSecondary Works CitedFurther ReadingIndex

Shankar Raman is Associate Professor in the Faculty of Literature at MIT. He is the author of Framing "India": The Colonial Imaginary in Early Modern Culture (Stanford University Press, 2002).

Select Guide Rating

• Series Editors' PrefaceList of IllustrationsAcknowledgementsTimeline1 Exploring the TerrainRenaissance Anti-colonialismsImperial TranslationsCannibalsGender and RaceDifference and Repetition2 DebatesTexts and Contexts Tempestuous HistoriesPostcolonial Reactivations of The TempestTheory after ShakespeareOthers and SelvesIreland: Civilised Selves and Barbarous OthersSpain and Turkey: Protestantism and its OthersThinking Differently about Others: Olearius' Travels3 Case StudiesTwo Ways of Looking at Colonial BeginningsUnfinished Histories: Gil Vicente's Auto da ÍndiaHistory as Myth: Luis Vaz de Camões' Os LusíadasTwo Ways of Writing the HeathenWriting the New World Native: de Bry's America IWriting the Chinese: de Bry's India Orientalis IIThe Brome-an Empire: Wonder and Theatre in The AntipodesCan't Buy me Love: John Donne's "Loves Progress"Revolutions that Have No Model: Marlowe's Tamburlaine the Great Primary Works CitedSecondary Works CitedFurther ReadingIndex