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    1. Skönlitteratur
    2. Litteraturvetenskap
    3. Litteraturvetenskap

    Katherine Mansfield and Literary Influence

    AvSarah Ailwood,Melinda Harvey

    Inbunden, Engelska, 2015

    1 482 kr

    Beställningsvara. Skickas inom 7-10 vardagar. Fri frakt över 249 kr.

    Beskrivning

    Provides new reflections on literary influence using Katherine Mansfield as a case studyKatherine Mansfield and Literary Influence seeks to understand influence, a powerful yet mysterious and undertheorised impetus for artistic production, by exploring Katherine Mansfield’s wide net of literary associations. Mansfield’s case proves that influence is careless of chronologies, spatial limits, artistic movements and cultural differences. Expanding upon theories of influence that focus on anxiety and coteries, this book demonstrates that it is as often unconscious as it is conscious, and can register as satire, yearning, copying, homage and resentment. This book maps the ecologies of Mansfield’s influences beyond her modernist and postcolonial contexts, observing that it roams wildly over six centuries, across three continents and beyond cultural and linguistic boundaries.Katherine Mansfield and Literary Influence identifies Mansfield’s involvement in six modes of literary influence - Ambivalence, Exchange, Identification, Imitation, Enchantment and Legacy. In so doing, it revisits key issues in Mansfield studies, including her relationships with Virginia Woolf, John Middleton Murry and S. S. Koteliansky, as well as the famous plagiarism case regarding Anton Chekhov. It also charts new territories for exploration, expanding the terrain of Mansfield's influence to include writers as diverse as Colette, Evelyn Waugh, Nettie Palmer, Eve Langley and Frank Sargeson.Key Features• Extends upon models of literary influence that are oriented around the ideas of anxiety and coteries• Engages with and develops areas of scholarly inquiry investigating modernism as the product of social and intellectual networks• Offers new interpretations of Mansfield’s relationships with writers with whom she is often associated, such as D H Lawrence, Anton Chekhov and Virginia Woolf• Traces new connections between Mansfield’s work and the work of writers not previously linked to Mansfield, such as Evelyn Waugh, Colette and Nettie PalmerSarah Ailwood is Assistant Professor in the School of Law & Justice at the University of Canberra, Australia.Melinda Harvey is Lecturer in English at Monash University, Australia.

    Produktinformation

    • Utgivningsdatum:2015-06-16
    • Mått:156 x 234 x 21 mm
    • Vikt:544 g
    • Format:Inbunden
    • Språk:Engelska
    • Antal sidor:272
    • Förlag:Edinburgh University Press
    • ISBN:9780748694419

    Utforska kategorier

    • Litteraturvetenskap inom Skönlitteratur

    Mer om författaren

    Dr Sarah Ailwood is Assistant Professor in the School of Law and Associate Dean (Innovation) in the Faculty of Business, Government and Law, at the University of Canberra. While she trained as a lawyer, her PhD was on Jane Austen and she has published on women writers and life writing in Women’s Studies International Forum, Katherine Mansfield Studies, and Kunapipi. Dr Melinda Harvey is Lecturer in English at Monash University, Melbourne. She is the co-editor, with Deborah Pike and Gillian Sykes, of Curious Eyes: Sites and Scenes of Modernism (Colloquy, 2000) and the author of Dorothy Richardson’s Modernist Encounters: Women, Writing, Place

    Recensioner i media

    The editors offer a refreshing new look at the anxiety, or lack of it, of influence. Bonny Cassidy writes, influence is ‘a bushfire: it jumps and lands.’ Contributors show how Mansfield absorbed her eclectic reading and how writers as diverse as Evelyn Waugh and Nettie Palmer responded to the stimulus of her stories.

    Innehållsförteckning

    • Acknowledgments; Abbreviations; Notes on Contributors; 1. ‘Like a thousand reflections of my own hands in a dark mirror’: Katherine Mansfield and Literary Influence, Sarah Ailwood and Melinda Harvey; I: Ambivalence; 2. ‘The Twilight of Language’: The Young Evelyn Waugh on ‘Catherine’ Mansfield, Naomi Milthorpe; 3. ‘Where is she?’ Katherine Mansfield and Elizabeth Bowen, Jessica Gildersleeve; II: Exchange; 4. ‘[O]ur precious art’: Katherine Mansfield, Virginia Woolf and the Gift Economy, Kathryn Simpson; 5. ‘The Silence is Broken’: Katherine Mansfield and the ‘Manifesto Moment’, Susan Reid; 6. Circles of Influence: Katherine Mansfield, S. S. Koteliansky and Russia, Gerri Kimber; III: Identification; 7. ‘Worms of the Same Family’: Katherine Mansfield and Elizabeth von Arnim, Juliane Römhild; 8. ‘Objectless Love’: The Vagabondage of Colette and Katherine Mansfield, Deborah Pike; IV: Imitation; 9. ‘God forgive me, Tchehov, for my impertinence’: Mansfield and the Art of Copying, Melinda Harvey; ‘[A]ctively making one feel’: Katherine Mansfield, Evolving Empathy and Intimate Influence in Virginia Woolf’s Writings of the 1920s and 1930s, Katie Macnamara; V: Enchantment; 11. Mansfield eats Dickens, Michael Hollington; 12. Katherine Mansfield, Nettie Palmer and Critical Influence, Sarah Ailwood; 13. The meeting of Katherine Mansfield and Eve Langley, Bonny Cassidy; VI: Legacy; 14. Mansfield, Shakespeare and the Unanxiety of Influence, Mark Houlahan; 15. The ‘Burden’ of the Feminine: Frank Sargeson’s Encounter with Katherine Mansfield, Janet Wilson; 16. Writing from the Cellar: Revisiting the Villa Isola Bella, Brigid Magner; Bibliography