Stephen Parcell is professor of architecture at Dalhousie University, and co-editor of Chora: Intervals in the Philosophy of Architecture.

• Chora - the space of architectural representation, Alberto Perez-Gomez; the measure of expression - physiognomy and character in the "nouvelle methode" of Jean-Jacques Leque, Jean-Francois Bedard; Michelangelo - the image of the human body, artifice, and architecture, Helmut Klassen; architecture as site of reception, Part 1 - cuisine, frontality, and the infra-thin, Donald Kunze; fictional cities, Graham Livesey; instrumentality and the organic assistance of looms, Indra Kagis McEwen; space and image in Andrey Tarkovsky's "Nostalgia" - notes on a phenomenology of architecture in cinema, Juhani Pallasmaa; the momentary modern magic of the panorama, Stephen Parcell; the building of a horizon, Louise Pelletier; anaesthetic induction - an excursion into the world of visual indifference, Natalija Subotincic.

Stephen Parcell is professor of architecture at Dalhousie University, and co-editor of Chora: Intervals in the Philosophy of Architecture.

• Chora - the space of architectural representation, Alberto Perez-Gomez; the measure of expression - physiognomy and character in the "nouvelle methode" of Jean-Jacques Leque, Jean-Francois Bedard; Michelangelo - the image of the human body, artifice, and architecture, Helmut Klassen; architecture as site of reception, Part 1 - cuisine, frontality, and the infra-thin, Donald Kunze; fictional cities, Graham Livesey; instrumentality and the organic assistance of looms, Indra Kagis McEwen; space and image in Andrey Tarkovsky's "Nostalgia" - notes on a phenomenology of architecture in cinema, Juhani Pallasmaa; the momentary modern magic of the panorama, Stephen Parcell; the building of a horizon, Louise Pelletier; anaesthetic induction - an excursion into the world of visual indifference, Natalija Subotincic.

Stephen Parcell is professor of architecture at Dalhousie University, and co-editor of Chora: Intervals in the Philosophy of Architecture.

• Chora - the space of architectural representation, Alberto Perez-Gomez; the measure of expression - physiognomy and character in the "nouvelle methode" of Jean-Jacques Leque, Jean-Francois Bedard; Michelangelo - the image of the human body, artifice, and architecture, Helmut Klassen; architecture as site of reception, Part 1 - cuisine, frontality, and the infra-thin, Donald Kunze; fictional cities, Graham Livesey; instrumentality and the organic assistance of looms, Indra Kagis McEwen; space and image in Andrey Tarkovsky's "Nostalgia" - notes on a phenomenology of architecture in cinema, Juhani Pallasmaa; the momentary modern magic of the panorama, Stephen Parcell; the building of a horizon, Louise Pelletier; anaesthetic induction - an excursion into the world of visual indifference, Natalija Subotincic.