Martha W. Driver is distinguished professor of English and women’s and gender studies at Pace University. Sid Ray is a professor of English and women’s and gender studies at Pace University.

“fascinating...compelling”—Arthuriana; “the anthology is certainly one that scholars interested in Shakespeare on film will wish to consult”—Studies in Medieval & Renaissance Teaching.

• Table of ContentsACKNOWLEDGMENTS      FOREWORD: “THE SKELETON IN THE MIRROR”Michael Almereyda and Dakin Matthews      GENERAL INTRODUCTIONMartha W. Driver and Sid Ray      Part I. “Abstract and Brief Chronicles of Time”: The HistoriesINTRODUCTION TO PARTMartha W. Driver      “Richard’s Himself Again”: The Body of Richard III on Stage and ScreenJim Casey      Falstaff in AmericaCatherine Loomis      Scoring the Fields of the Dead: Musical Styles and Approaches to Postbattle Scenes from Henry V (1944, 1989)Linda K. Schubert      Part II. “Carnal, Bloody, and Unnatural Acts”: The TragediesINTRODUCTION TO PARTMartha W. Driver      “We’re Everyone You Depend On”: Filming Shakespeare’s PeasantsCarl James Grindley      Medieval Hamlet in PerformancePatrick J. Cook      Finding Gruoch: The Hidden Genealogy of Lady Macbeth in Text and Cinematic PerformanceSid Ray      Part III. “Many Merry Men”: The ComediesINTRODUCTION TO PARTSid Ray      Reading A Midsummer Night’s Dream through Middle English RomanceMartha W. Driver      “Chaucer ... the Story Gives”: Troilus and Cressida and The Two Noble KinsmenJulia Ruth Briggs      Shakespeare’s Virgin Mother on the Modern Stage: All’s Well, That Ends Well and the Madonna del Parto TraditionGary Waller      Part IV. “Tragical-Comical-Historical-Pastoral”: The RomancesINTRODUCTION TO PARTSid Ray      “The Quick and the Dead”: Performing the Poet Gower in PericlesKelly Jones      Shakespeare as Medievalist: What It Means for Performing PericlesR. F. Yeager      A Touch of Chaucer in The Winter’s TaleLouise M. Bishop      Caliban’s God: The Medieval and Renaissance Man in the MoonKim Zarins      ABOUT THE CONTRIBUTORS      INDEX

Martha W. Driver is distinguished professor of English and women’s and gender studies at Pace University. Sid Ray is a professor of English and women’s and gender studies at Pace University.

“fascinating...compelling”—Arthuriana; “the anthology is certainly one that scholars interested in Shakespeare on film will wish to consult”—Studies in Medieval & Renaissance Teaching.

• Table of ContentsACKNOWLEDGMENTS      FOREWORD: “THE SKELETON IN THE MIRROR”Michael Almereyda and Dakin Matthews      GENERAL INTRODUCTIONMartha W. Driver and Sid Ray      Part I. “Abstract and Brief Chronicles of Time”: The HistoriesINTRODUCTION TO PARTMartha W. Driver      “Richard’s Himself Again”: The Body of Richard III on Stage and ScreenJim Casey      Falstaff in AmericaCatherine Loomis      Scoring the Fields of the Dead: Musical Styles and Approaches to Postbattle Scenes from Henry V (1944, 1989)Linda K. Schubert      Part II. “Carnal, Bloody, and Unnatural Acts”: The TragediesINTRODUCTION TO PARTMartha W. Driver      “We’re Everyone You Depend On”: Filming Shakespeare’s PeasantsCarl James Grindley      Medieval Hamlet in PerformancePatrick J. Cook      Finding Gruoch: The Hidden Genealogy of Lady Macbeth in Text and Cinematic PerformanceSid Ray      Part III. “Many Merry Men”: The ComediesINTRODUCTION TO PARTSid Ray      Reading A Midsummer Night’s Dream through Middle English RomanceMartha W. Driver      “Chaucer ... the Story Gives”: Troilus and Cressida and The Two Noble KinsmenJulia Ruth Briggs      Shakespeare’s Virgin Mother on the Modern Stage: All’s Well, That Ends Well and the Madonna del Parto TraditionGary Waller      Part IV. “Tragical-Comical-Historical-Pastoral”: The RomancesINTRODUCTION TO PARTSid Ray      “The Quick and the Dead”: Performing the Poet Gower in PericlesKelly Jones      Shakespeare as Medievalist: What It Means for Performing PericlesR. F. Yeager      A Touch of Chaucer in The Winter’s TaleLouise M. Bishop      Caliban’s God: The Medieval and Renaissance Man in the MoonKim Zarins      ABOUT THE CONTRIBUTORS      INDEX

Martha W. Driver is distinguished professor of English and women’s and gender studies at Pace University. Sid Ray is a professor of English and women’s and gender studies at Pace University.

“fascinating...compelling”—Arthuriana; “the anthology is certainly one that scholars interested in Shakespeare on film will wish to consult”—Studies in Medieval & Renaissance Teaching.

• Table of ContentsACKNOWLEDGMENTS      FOREWORD: “THE SKELETON IN THE MIRROR”Michael Almereyda and Dakin Matthews      GENERAL INTRODUCTIONMartha W. Driver and Sid Ray      Part I. “Abstract and Brief Chronicles of Time”: The HistoriesINTRODUCTION TO PARTMartha W. Driver      “Richard’s Himself Again”: The Body of Richard III on Stage and ScreenJim Casey      Falstaff in AmericaCatherine Loomis      Scoring the Fields of the Dead: Musical Styles and Approaches to Postbattle Scenes from Henry V (1944, 1989)Linda K. Schubert      Part II. “Carnal, Bloody, and Unnatural Acts”: The TragediesINTRODUCTION TO PARTMartha W. Driver      “We’re Everyone You Depend On”: Filming Shakespeare’s PeasantsCarl James Grindley      Medieval Hamlet in PerformancePatrick J. Cook      Finding Gruoch: The Hidden Genealogy of Lady Macbeth in Text and Cinematic PerformanceSid Ray      Part III. “Many Merry Men”: The ComediesINTRODUCTION TO PARTSid Ray      Reading A Midsummer Night’s Dream through Middle English RomanceMartha W. Driver      “Chaucer ... the Story Gives”: Troilus and Cressida and The Two Noble KinsmenJulia Ruth Briggs      Shakespeare’s Virgin Mother on the Modern Stage: All’s Well, That Ends Well and the Madonna del Parto TraditionGary Waller      Part IV. “Tragical-Comical-Historical-Pastoral”: The RomancesINTRODUCTION TO PARTSid Ray      “The Quick and the Dead”: Performing the Poet Gower in PericlesKelly Jones      Shakespeare as Medievalist: What It Means for Performing PericlesR. F. Yeager      A Touch of Chaucer in The Winter’s TaleLouise M. Bishop      Caliban’s God: The Medieval and Renaissance Man in the MoonKim Zarins      ABOUT THE CONTRIBUTORS      INDEX