Stan Galloway writes for The Burroughs Bulletin and lectures on Tarzan internationally. He is also the founder of the Bridgewater International Poetry Festival, hosted annually at Bridgewater College where he teaches. He is the author and/or editor of six books of poetry.

• Table of ContentsAcknowledgments      Foreword: The Magic of Imagination by James Gunn      Preface      Introduction      1. It All Begins Again: “Tarzan’s First Love”      2. Running in Circles: Cycles and Technique in “The Capture of Tarzan”      3. All for One: “The Fight for the Balu”      4. (Un)Natural Theology: “The God of Tarzan”      5. Black and White and In Between: The Perception of Racism in “Tarzan and the Black Boy”      6. The Problem of Good and Evil in “The Witch-Doctor Seeks Vengeance” and “The End of Bukawai”      7. Painful Laughter in “The Lion” and “A Jungle Joke”      8. What You See: Lessons in Appearance and Reality in “The Nightmare”      9. Allegiance and Apathy: Community in “The Battle for Teeka”      10. Shooting in the Dark: The Role of Imagination in “Tarzan Rescues the Moon”      Bibliography      Index

Stan Galloway writes for The Burroughs Bulletin and lectures on Tarzan internationally. He is also the founder of the Bridgewater International Poetry Festival, hosted annually at Bridgewater College where he teaches. He is the author and/or editor of six books of poetry.

• Table of ContentsAcknowledgments      Foreword: The Magic of Imagination by James Gunn      Preface      Introduction      1. It All Begins Again: “Tarzan’s First Love”      2. Running in Circles: Cycles and Technique in “The Capture of Tarzan”      3. All for One: “The Fight for the Balu”      4. (Un)Natural Theology: “The God of Tarzan”      5. Black and White and In Between: The Perception of Racism in “Tarzan and the Black Boy”      6. The Problem of Good and Evil in “The Witch-Doctor Seeks Vengeance” and “The End of Bukawai”      7. Painful Laughter in “The Lion” and “A Jungle Joke”      8. What You See: Lessons in Appearance and Reality in “The Nightmare”      9. Allegiance and Apathy: Community in “The Battle for Teeka”      10. Shooting in the Dark: The Role of Imagination in “Tarzan Rescues the Moon”      Bibliography      Index

Stan Galloway writes for The Burroughs Bulletin and lectures on Tarzan internationally. He is also the founder of the Bridgewater International Poetry Festival, hosted annually at Bridgewater College where he teaches. He is the author and/or editor of six books of poetry.

• Table of ContentsAcknowledgments      Foreword: The Magic of Imagination by James Gunn      Preface      Introduction      1. It All Begins Again: “Tarzan’s First Love”      2. Running in Circles: Cycles and Technique in “The Capture of Tarzan”      3. All for One: “The Fight for the Balu”      4. (Un)Natural Theology: “The God of Tarzan”      5. Black and White and In Between: The Perception of Racism in “Tarzan and the Black Boy”      6. The Problem of Good and Evil in “The Witch-Doctor Seeks Vengeance” and “The End of Bukawai”      7. Painful Laughter in “The Lion” and “A Jungle Joke”      8. What You See: Lessons in Appearance and Reality in “The Nightmare”      9. Allegiance and Apathy: Community in “The Battle for Teeka”      10. Shooting in the Dark: The Role of Imagination in “Tarzan Rescues the Moon”      Bibliography      Index