The late Laurence Raw (1959–2018) published in the field of film adaptations and performance and taught English at Başkent University, Ankara, Turkey.

“Students will glean from it many valuable discoveries and insights.”—Journal of Popular Film and Television; “Overviews different frameworks for constructions of value, then presents case studies on the value of adaptation”—ProtoView.

• Table of ContentsAcknowledgmentsIntroduction (Laurence Raw)Part I. GenealogyThe Agency and Value of Remakes: The ­Television-to-Film Adaptation (Kenneth A. Longden)“I make all things new”: Describing the Ongoing Adaptation in the ­Judeo-Christian Bible (Allen H. Redmon)Origin-Ality: Sources and Adaptations of Francophone Voices(Rebecca M. Pauly)“No one ever sees the Angel”: Adapting The Phantom of the Opera (Leslie McMurtry)Fingersmith or Handmaiden: Adaptations from the ­Neo-Victorian Era to Contemporary Asia (Ela İpek Gündüz)Reshaping Gloriana: Representations of the British Queens in Victoria (2016) and The Crown (2016) (Dorota Babilas)Shakespearean Adaptation as Challenge: Edward Bond’s Lear(Özlem Özmen)Food for Thought or “mental chewing gum”: Truman Capote’s Crime Adaptations and Cultural Memory Work (Suzanne Diamond)Textual Museums in Edith Wharton and Orhan Pamuk (Hülya Yağcıoğlu)Part II. OntologyCaesar Must Die (2012): Shakespeare in Prison (Hui Wu)Pride and Prejudice and Programming: A Stylometric Analysis (Agata Hołobut and Jan Rybicki)Aki Kaurismäki’s “outrageously improvisatory” Adaptations of Four Familiar Literary Source Texts (Dennis Rothermel)“This is how I lied about coming up with the idea for writing about The Brothers Grimm [2005]”: Incoherent Narration in Terry Gilliam’s Adaptation (Wickham Clayton)Towards a Method for Negotiating Adaptation versus Allusion(Christopher Wydler)181Finding Value through “Personal Baggage” (Charles R. Hamilton)Adaptation and Transformative Learning in an Undergraduate History Class (Lısa Bunkowski)Faiblesse des Deux Côtés: Adaptation and Value in Sexual Subjectification (Jillian Saint Jacques)About the ContributorsIndex

The late Laurence Raw (1959–2018) published in the field of film adaptations and performance and taught English at Başkent University, Ankara, Turkey.

“Students will glean from it many valuable discoveries and insights.”—Journal of Popular Film and Television; “Overviews different frameworks for constructions of value, then presents case studies on the value of adaptation”—ProtoView.

• Table of ContentsAcknowledgmentsIntroduction (Laurence Raw)Part I. GenealogyThe Agency and Value of Remakes: The ­Television-to-Film Adaptation (Kenneth A. Longden)“I make all things new”: Describing the Ongoing Adaptation in the ­Judeo-Christian Bible (Allen H. Redmon)Origin-Ality: Sources and Adaptations of Francophone Voices(Rebecca M. Pauly)“No one ever sees the Angel”: Adapting The Phantom of the Opera (Leslie McMurtry)Fingersmith or Handmaiden: Adaptations from the ­Neo-Victorian Era to Contemporary Asia (Ela İpek Gündüz)Reshaping Gloriana: Representations of the British Queens in Victoria (2016) and The Crown (2016) (Dorota Babilas)Shakespearean Adaptation as Challenge: Edward Bond’s Lear(Özlem Özmen)Food for Thought or “mental chewing gum”: Truman Capote’s Crime Adaptations and Cultural Memory Work (Suzanne Diamond)Textual Museums in Edith Wharton and Orhan Pamuk (Hülya Yağcıoğlu)Part II. OntologyCaesar Must Die (2012): Shakespeare in Prison (Hui Wu)Pride and Prejudice and Programming: A Stylometric Analysis (Agata Hołobut and Jan Rybicki)Aki Kaurismäki’s “outrageously improvisatory” Adaptations of Four Familiar Literary Source Texts (Dennis Rothermel)“This is how I lied about coming up with the idea for writing about The Brothers Grimm [2005]”: Incoherent Narration in Terry Gilliam’s Adaptation (Wickham Clayton)Towards a Method for Negotiating Adaptation versus Allusion(Christopher Wydler)181Finding Value through “Personal Baggage” (Charles R. Hamilton)Adaptation and Transformative Learning in an Undergraduate History Class (Lısa Bunkowski)Faiblesse des Deux Côtés: Adaptation and Value in Sexual Subjectification (Jillian Saint Jacques)About the ContributorsIndex

The late Laurence Raw (1959–2018) published in the field of film adaptations and performance and taught English at Başkent University, Ankara, Turkey.

“Students will glean from it many valuable discoveries and insights.”—Journal of Popular Film and Television; “Overviews different frameworks for constructions of value, then presents case studies on the value of adaptation”—ProtoView.

• Table of ContentsAcknowledgmentsIntroduction (Laurence Raw)Part I. GenealogyThe Agency and Value of Remakes: The ­Television-to-Film Adaptation (Kenneth A. Longden)“I make all things new”: Describing the Ongoing Adaptation in the ­Judeo-Christian Bible (Allen H. Redmon)Origin-Ality: Sources and Adaptations of Francophone Voices(Rebecca M. Pauly)“No one ever sees the Angel”: Adapting The Phantom of the Opera (Leslie McMurtry)Fingersmith or Handmaiden: Adaptations from the ­Neo-Victorian Era to Contemporary Asia (Ela İpek Gündüz)Reshaping Gloriana: Representations of the British Queens in Victoria (2016) and The Crown (2016) (Dorota Babilas)Shakespearean Adaptation as Challenge: Edward Bond’s Lear(Özlem Özmen)Food for Thought or “mental chewing gum”: Truman Capote’s Crime Adaptations and Cultural Memory Work (Suzanne Diamond)Textual Museums in Edith Wharton and Orhan Pamuk (Hülya Yağcıoğlu)Part II. OntologyCaesar Must Die (2012): Shakespeare in Prison (Hui Wu)Pride and Prejudice and Programming: A Stylometric Analysis (Agata Hołobut and Jan Rybicki)Aki Kaurismäki’s “outrageously improvisatory” Adaptations of Four Familiar Literary Source Texts (Dennis Rothermel)“This is how I lied about coming up with the idea for writing about The Brothers Grimm [2005]”: Incoherent Narration in Terry Gilliam’s Adaptation (Wickham Clayton)Towards a Method for Negotiating Adaptation versus Allusion(Christopher Wydler)181Finding Value through “Personal Baggage” (Charles R. Hamilton)Adaptation and Transformative Learning in an Undergraduate History Class (Lısa Bunkowski)Faiblesse des Deux Côtés: Adaptation and Value in Sexual Subjectification (Jillian Saint Jacques)About the ContributorsIndex