Inbunden, Engelska, 2002
California Plain
Remembering Barns
Av Morley Baer
864 kr
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Beskrivning
Produktinformation
- Utgivningsdatum: 2002-06-12
- Mått: 241 x 267 x 15 mm
- Vikt: 984 g
- Format: Inbunden
- Språk: Engelska
- Antal sidor: 120
- Förlag: Stanford University Press
- ISBN: 9780804742702
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Morley Baer's photographic books include Stones of the Sur: Poetry by Robinson Jeffers, Photographs by Morley Baer (Stanford, 2001); Light Years: The Photographs of Morley Baer; The Wilder Shore; Room and Time Enough: The Land of Mary Austin; Painted Ladies: San Francisco's Resplendent Victorians; and Adobes in the Sun.
Recensioner i media
" . . . [His] focus, among others, was the extraordinary nature of the most ordinary barns. Plain and simple. . . . Morley's most luminescent images reveal as much about the man as they do about the subjects, themselves."—The Monterey County Herald "California Plain—Remembering Barns, a book of photography by the late Morley Baer of Carmel and edited by his widow, Frances Baer, is proof of why Morley Baer was known as his generation's premier architectural photographer of Northern California."—The Carmel Pine Cone "Baer's lofty reputation as a photographer is amply justified by the images that are so handsomely displayed in California Plain."—L.A.Times.com "[Baer] displays a command of both camera and subject that elevates his work from photo documentation to hight art."—L.A.Times.com "These 65 fine-quality black-and-white photographs, dating from 1951 to 1994, reveal a true reverence for and love of rural architecture. . . . This is not just a regional book; it should be purchased for photography collections and wherever there are still farms and agrarian living or for readers who can appreciate simpler, less complicated lives. Highly recommended."—Library Journal "Something impelled Morley Baer to capture these soulful images from 1951 to 1994, riding the backwoods, with his equipment, coming over the hill, seeing the structure, driving about it, waiting (sometimes waiting hours) for a single exposure, to capture it at its most lonely and lovely best . . . .He was a professional, and he carefully shot, carefully developed, carefully marked these treasures, driven to record the history of our land, these glorious edifices out of the sould of America."—RALPH
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