Consequences of Consciousness

Donna Tussing Orwin is Professor of Russian Literature in the Department of Slavic Studies at the University of Toronto. She is the author of the prize-winning study Tolstoy's Art and Thought, 1847-1880 (1993), editor (with Robin Feuer Miller) of Kathryn Feuer's Tolstoy and the Genesis of War and Peace (1996), and editor of The Cambridge Companion to Tolstoy (2002). She was editor of Tolstoy Studies Journal for eight years, and is now President of the Tolstoy Society.

"The great Russian Realists were also great lay psychologists. In a century bewitched by norms and the pursuit of scientific truths, they set out to defend the absolute reality of each person's subjectivity. Orwin's wonderful study helps us to see, once again, how subtle are the narrative techniques that transmit ordinary irreducible life and why the quest to legitimize individualized experience results paradoxically in a Russian novel where each reader (from a vast variety of eras, cultures, languages) feels uniquely 'at home.'" —Caryl Emerson, Princeton University "Consequences of Consciousness offers a particularly rich sense of the interactions among these three writers (and some others, like Herzen) as, in overt and implicit reference to each other, they debated and redebated ethics, meaning, and selfhood...I hope I do not exaggerate, but it seems to me that Orwin has put her finger on the pulse of Russian realism and reminded us why it matters." —Russian Review "Consequences of Consciousness is an estimable scholarly endeavor, expertly researched, frequently thought-provoking, and blessedly free of jargon. Shedding new light and revealing light on the interrelationships among the three literary giants of nineteenth-century Russia, it will make its readers far more conscious of the workings of consciousness in both Russian and western literature." —Slavic Review "Orwin's study is that rare book from which many different readers may derive benefit: it is philosophically agile, filled with exacting and illuminating readings of important texts, and engagingly written—all in the service of a cursed, undying question about what it means for us to live as creatures condemned to know they live only to die." —Slavic and East European Journal

• @fmct:Contents @toc4:Acknowledgmentsiii Note on Documentationiii @toc2:Introduction1 1.The Origins of Self-Consciousness as a National Trait of the Russian Literary Tradition000 2.Turgenev: Subjectivity in the Shadows000 3.Dostoevsky's Hidden Author000 4.Taming the Author: The Platonic and the Turgenevian Moments in Tolstoy's Fiction000 5.Romantic Longing in Turgenev000 6.Dostoevsky's Critique of Turgenev000 7.Reflection as a Tool for Understanding in Russian Psychological Prose000 8.Childhood in Dickens, Dostoevsky, and Tolstoy000 9.The Psychology of Evil in Tolstoy and Dostoevsky000 Conclusion000 @toc4:Notes000 Selected Bibliography000 Index000