Amy Tucker is Associate Professor of American Literature at Queens College, City University of New York.

"Tucker's Illustration of the Master is thrilling to read, especially for understanding James in relation to the artists who illustrated his works and the editors and publishers who orchestrated the layouts in magazines on both sides of the Atlantic. Drawing on an impressive array of library archives and with insightful consideration of nineteenth-century innovations in print technology, Tucker analyzes the format of image and word in publications such as 'Century, Collier's Weekly, English Illustrated Magazine, and Harper's Bazar', . . All of Tucker's comparisons are interesting as she activates a rich social historical context of advertising in which people's ways of readings were transformed."—Kendall Johnson, American Literature By following [Henry James's] lead, [Amy Tucker] has uncovered a broad cast of characters engaged in this new literary form—including his literary agent, friends, editors, publishers, illustrators—and allows all of them to speak for themselves through their own writings, through correspondences with James, or about him, and through their works of art . . . The resulting text often generates the kind of suspense and pleasure that come from eavesdropping on a conversation . . . Amy Tucker has made an important contribution to scholarship on Henry James, one that will be essential to anyone who wants to know more about James as a working writer."—Mary Panzer, Visual Resources "[Amy Tucker] explores the explosive growth of periodicals in the latter half of the nineteenth century, remarking that Henry James and the modern illustrated press had come of age together. . . Extensive notes and bibliography complete an absorbing investigation of the crucial role of illustrations upon the writing profession and its audience during Henry James's lifetime."—Year's Work in English Studies "It's refreshing to read a manuscript on James that actually adds new knowledge. The Illustration of the Master brings together for the first time nearly all the materials on James and illustrations, altering and correcting long-held critical assumptions on the topic."—Susan M. Griffin, University of Louisville "This very interesting monograph presents new information in a useful and helpfully readable way. James's collaboration with magazine illustrators has not been studied this comprehensively before."—Michael Anesko, Pennsylvania State University