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    Complete Pianist

    Body, Mind, Synthesis

    AvRuth C. Friedberg

    Häftad, Engelska, 1993

    722 kr

    Beställningsvara. Skickas inom 10-15 vardagar. Fri frakt över 249 kr.

    Beskrivning

    From the preface by Lorin Hollander: '...a remarkable piece of work by an equally remarkable teacher, philosopher, and healer. Ruth explores with wonderful clarity and thoroughness virtually every important aspect of the mind, heart, body, and soul of the creative person. This is truly a book for our age, and would make valuable reading for those pursuing most fields of human endeavor.' This small book on a large subject, the culmination of many years of performing and teaching, offers piano students, teachers, and performers useful advice for many stages along the path to becoming a pianist. Friedberg explains the mystery of the connection between the body and the brain of the pianist. What exactly is the role of the body in establishing, helping, or hindering the pianist's process? How can the mind's unending activity be harnessed most effectively to facilitate this process? She explores relevant published information and new psychological insights into learning and how it operates, supplying extensive annotated bibliographies of books and periodicals published during the past fifty years. In the final section of the book she investigates the ultimate synthesis of musical activities of the body and mind, known as 'performance.' Paperback edition available 2002.

    Produktinformation

    • Utgivningsdatum:1993-01-01
    • Mått:135 x 218 x 12 mm
    • Vikt:213 g
    • Format:Häftad
    • Språk:Engelska
    • Antal sidor:153
    • Förlag:Scarecrow Press
    • ISBN:9780810843066

    Utforska kategorier

    • Musikinstrument inom Kultur

    Mer om författaren

    Ruth C. Friedberg, Director of Music and Professor of Piano, Incarnate Word College, San Antonio, TX, has also taught at Duke, the University of Texas, and the New School of Music in Philadelphia. She has concertized and given lecture-recitals throughout the US and Canada and was the keyboard artist of the San Antonio Symphony from 1976 to 1987. Her articles on 20th-century music and composers have appeared in many periodicals as well as in the New Grove's Dictionaries of Music, and Scarecrow Press has published her three-volume set, American Art Song and American Poetry (1981-1987).

    Recensioner i media

    ...includes an extensive annotated bibliography that shows the amount of research [Friedberg] has devoted to understanding the particular requirements of artistic accomplishment and performance.

    Innehållsförteckning

    • Chapter 1 List of Illustrations Chapter 2 Preface, by Lorin Hollander Chapter 3 Author's Preface Chapter 4 Introduction— The Making of a Pianist Chapter 5 I Body Chapter 6 How Do We See It—or Do We? Chapter 7 How We Treat It—Principles of Nurturance Chapter 8 Diet Chapter 9 Rest Chapter 10 Exercise Chapter 11 How We Use It Chapter 12 Breathing Chapter 13 The Pianist's Alexander Chapter 14 Mirror, Mirror On the Wall Chapter 15 And on Arising? Chapter 16 From Body to Mind Chapter 17 New Help for Bodily Distress Chapter 18 Why Does it Hurt? Chapter 19 An Ounce of Prevention Chapter 20 Cherchez le piano Chapter 21 Endnotes for Chapter I Chapter 22 Bibliography for Chapter I Chapter 23 II Mind Chapter 24 Motivation Chapter 25 Organization Chapter 26 Practice—Scheduling Chapter 27 Practice—Methodology Chapter 28 Memorizing Chapter 29 Sight-Reading Chapter 30 Becoming a Musician Chapter 31 Musical Style Chapter 32 Theory Chapter 33 Long-Range Planning Chapter 34 To Teach or not to Teach Chapter 35 The Soloist Chapter 36 Professor of Piano Chapter 37 Symphony and Chamber Player Chapter 38 Accompanist/Vocal Coach Chapter 39 Endnotes for Chapter II Chapter 40 Bibliography for Chapter II Chapter 41 III Synthesis Chapter 42 The Why? of Performance Chapter 43 The Where of Performance Chapter 44 Recitals and Competitions Chapter 45 Organizations Chapter 46 Churches and Synagogues Chapter 47 Musical Theater Chapter 48 Friends Chapter 49 As a Singer Chapter 50 Preparation for Performance Chapter 51 Synthesis Observed Chapter 52 Learning the Program Chapter 53 Concert Clothes Chapter 54 Securing One's Audience Chapter 55 Programs Chapter 56 Recordings Chapter 57 Tension and Anxiety Chapter 58 Performcane Chapter 59 Just Before the Concert Chapter 60 During the concert Chapter 61 Last Words Chapter 62 Endnotes for Chapter III Chapter 63 Bibliography for Chapter III Chapter 64 About the Author