Of the great epic poets in the Western tradition, Luis Vaz de Cames (c. 1524- 1580) remains perhaps the least known outside his native Portugal, and his influence on literature in English has not been fully recognized. In this major work of comparative scholarship, George Monteiro thus breaks new ground, focusing on English-language writers whose vision and expression have been sharpened by their varied responses to Cames.Introduced to English readers in 1655, Cames's work from the beginning appealed strongly to writers. The young Elizabeth Barrett's Camonean poems, for example, inspired Edgar Allan Poe to appropriate elements from Cames. Herman Melville's reading of Cames bore fruit in his career-long borrowings from the Portuguese poet. Longfellow, T.W. Higginson, and Emily Dickinson read and championed Cames. AndCames as epicist and love poet is an minence grise in several of Elizabeth Bishop's strongest Brazilian poems. Southern African writers have interpreted and reinterpreted Adamastor, Cames's Spirit of the Cape, as both a symbol of a dangerous and mysterious Africa and an emblem of European imperialism.Recognizing the presence of Cames leads Monteiro to provocative rereadings of such texts as Dickinson's "e;Master"e; letters, Poe's "e;Raven,"e; Melville's late poetry, and Bishop's Questions of Travel.
