LORI HARRISON-KAHAN teaches in the English department at Boston College and has previously taught at Connecticut College, Harvard University, and the University of Pennsylvania.

"Skillfully demonstrates how Jewish American women writers employ images of blackness to undermine the division between 'white' and 'black' identity. The figure of the 'White Negress' thus becomes the site for a feminist critique of whiteness." - Martha J. Cutter (editor of MELUS) "Placing gender squarely at the intersection of black-Jewish cultural imaginings, The White Negress makes a stunning contribution to our understanding of whiteness, race relations, and ethnic literature." - Joyce Antler (author of You Never Call! You Never Write! A History of the Jewish Mother) "By sustaining attention to women and fidelity to the complex and even contradictory texts, The White Negress constitutes both a convincing critique of scholarship on minstrelsy and a fascinating literary study in its own right."(American Jewish Archives Journal) "an important contribution to figurations of race in the twentieth century."(Tulsa Studies in Women's Literature) "This is a fine book, filled with expertly hewn close readings of a small but important group of female actors and authors, women who made significant contributions to how African Americans and Jews of European descent imagined one another."(Journal of American History) "The White Negress acts as a significant challenge to existing scholarship concerning whiteness, cross-racial performances, and black-Jewish encounters. Although, by her own admission, Harrison-Kahan’s book is not 'a comprehensive survey of black-Jewish relations among women' or Jewish women and blackface performance, her study is perhaps most noteworthy for its assertion that future work in these fields must take women, gender, and sexuality seriously." (American Studies Journal) "The White Negress offers innovative approaches for understanding the shifting logics of citizenship and racial formation across the twentieth century through the work of culture." (American Literature) "Skillfully demonstrates how Jewish American women writers employ images of blackness to undermine the division between 'white' and 'black' identity. The figure of the 'White Negress' thus becomes the site for a feminist critique of whiteness." - Martha J. Cutter (editor of MELUS) "Placing gender squarely at the intersection of black-Jewish cultural imaginings, The White Negress makes a stunning contribution to our understanding of whiteness, race relations, and ethnic literature." - Joyce Antler (author of You Never Call! You Never Write! A History of the Jewish Mother) "By sustaining attention to women and fidelity to the complex and even contradictory texts, The White Negress constitutes both a convincing critique of scholarship on minstrelsy and a fascinating literary study in its own right."(American Jewish Archives Journal) "an important contribution to figurations of race in the twentieth century."(Tulsa Studies in Women's Literature) "This is a fine book, filled with expertly hewn close readings of a small but important group of female actors and authors, women who made significant contributions to how African Americans and Jews of European descent imagined one another."(Journal of American History) "The White Negress acts as a significant challenge to existing scholarship concerning whiteness, cross-racial performances, and black-Jewish encounters. Although, by her own admission, Harrison-Kahan’s book is not 'a comprehensive survey of black-Jewish relations among women' or Jewish women and blackface performance, her study is perhaps most noteworthy for its assertion that future work in these fields must take women, gender, and sexuality seriously." (American Studies Journal) "The White Negress offers innovative approaches for understanding the shifting logics of citizenship and racial formation across the twentieth century through the work of culture." (American Literature)