Mary Ann Caws is Distinguished Professor of English, French, and Comparative Literature in the Graduate School of City University of New York. She has held Guggenheim, Rockefeller, N.E.H., and Getty Foundation fellowships and is the author of Picasso's Weeping Woman: The Life and Art of Dora Maar, Marcel Proust, Surprised in Translation and Virginia Woolf.

Caws traces a continuum of relish and regret encompassing emotional states such as joy, fear, angst, and anger, but at the same time acknowledges the power of imagination in shaping her personal and professional life. [She] traces the process whereby she acquired her personal and academic voice despite an emotionally absent father, a husband who considered his career more important than hers, and a stiflingly sexist southern society. - ANQ

Mary Ann Caws is Distinguished Professor of English, French, and Comparative Literature in the Graduate School of City University of New York. She has held Guggenheim, Rockefeller, N.E.H., and Getty Foundation fellowships and is the author of Picasso's Weeping Woman: The Life and Art of Dora Maar, Marcel Proust, Surprised in Translation and Virginia Woolf.

Caws traces a continuum of relish and regret encompassing emotional states such as joy, fear, angst, and anger, but at the same time acknowledges the power of imagination in shaping her personal and professional life. [She] traces the process whereby she acquired her personal and academic voice despite an emotionally absent father, a husband who considered his career more important than hers, and a stiflingly sexist southern society. - ANQ

Mary Ann Caws is Distinguished Professor of English, French, and Comparative Literature in the Graduate School of City University of New York. She has held Guggenheim, Rockefeller, N.E.H., and Getty Foundation fellowships and is the author of Picasso's Weeping Woman: The Life and Art of Dora Maar, Marcel Proust, Surprised in Translation and Virginia Woolf.

Caws traces a continuum of relish and regret encompassing emotional states such as joy, fear, angst, and anger, but at the same time acknowledges the power of imagination in shaping her personal and professional life. [She] traces the process whereby she acquired her personal and academic voice despite an emotionally absent father, a husband who considered his career more important than hers, and a stiflingly sexist southern society. - ANQ