TENNISON S. BLACK is the managing editor of Sundress Publications and Best of the Net. They received an MFA at Arizona State University, and their work has appeared or is forthcoming in SWWIM, Hotel Amerika, Booth, Wordgathering, and New Mobility, among others. They live in Washington State.

The Sonoran desert, invoked through saguaros, scorpions, jackrabbits, coyotes, and cowboys, is nearly a character in these fierce poems, which chronicle the poet's return to a place that ‘has been trying to kill me since I was born.’ Recurring images of place, along with a unifying narrative, give Survival Strategies the texture of a repeating form on a large scale, as the boundaries between the landscape and one family living in it begin to dissolve. This oneness reaches its crescendo in an original fable, ‘The Mother and the Mountain,’ which begins: ‘My mother was a bajada. That is, an alluvial fan that settled at the base of a mountain.’ Alive with hard-earned understanding and affirmation, these poems are for everyone who ever tried to leave a formative place of pain but found that person and place could never be fully untwined.

TENNISON S. BLACK is the managing editor of Sundress Publications and Best of the Net. They received an MFA at Arizona State University, and their work has appeared or is forthcoming in SWWIM, Hotel Amerika, Booth, Wordgathering, and New Mobility, among others. They live in Washington State.

The Sonoran desert, invoked through saguaros, scorpions, jackrabbits, coyotes, and cowboys, is nearly a character in these fierce poems, which chronicle the poet's return to a place that ‘has been trying to kill me since I was born.’ Recurring images of place, along with a unifying narrative, give Survival Strategies the texture of a repeating form on a large scale, as the boundaries between the landscape and one family living in it begin to dissolve. This oneness reaches its crescendo in an original fable, ‘The Mother and the Mountain,’ which begins: ‘My mother was a bajada. That is, an alluvial fan that settled at the base of a mountain.’ Alive with hard-earned understanding and affirmation, these poems are for everyone who ever tried to leave a formative place of pain but found that person and place could never be fully untwined.

TENNISON S. BLACK is the managing editor of Sundress Publications and Best of the Net. They received an MFA at Arizona State University, and their work has appeared or is forthcoming in SWWIM, Hotel Amerika, Booth, Wordgathering, and New Mobility, among others. They live in Washington State.

The Sonoran desert, invoked through saguaros, scorpions, jackrabbits, coyotes, and cowboys, is nearly a character in these fierce poems, which chronicle the poet's return to a place that ‘has been trying to kill me since I was born.’ Recurring images of place, along with a unifying narrative, give Survival Strategies the texture of a repeating form on a large scale, as the boundaries between the landscape and one family living in it begin to dissolve. This oneness reaches its crescendo in an original fable, ‘The Mother and the Mountain,’ which begins: ‘My mother was a bajada. That is, an alluvial fan that settled at the base of a mountain.’ Alive with hard-earned understanding and affirmation, these poems are for everyone who ever tried to leave a formative place of pain but found that person and place could never be fully untwined.