Omise’eke Natasha Tinsley is Assistant Professor of English at the University of Minnesota.

“Luscious, abundant and rich-those are apt words for Thiefing Sugar, this captivating and lyrical exploration of what it meant in the twentieth century to be a Caribbean woman who loves women. Based on a well-chosen corpus of texts and lucid, in-depth analyses, the book is altogether a feast for the senses, a gift to us all!”-Gloria Wekker, Utrecht University, Netherlands “Through writing that is as lyrical as the poetry and fiction she analyzes, Omise’eke Natasha Tinsley makes connections between sugar production in the Caribbean, the paradoxical ‘ungendering’ of black female slaves that makes their sexual self-hood possible, and the landscape of the ‘Global South’ to argue that the history of the black woman’s body in the African Diaspora is shrouded not just in metaphor but in the materiality of their own world-making.”-E. Patrick Johnson, author of Appropriating Blackness: Performance and the Politics of Authenticity “Thiefing Sugar by Omise’eke Natasha Tinsley is a beautifully written, refreshing and innovative book. Tinsley examines the sophisticated ways in which gender and sexuality have historically and culturally articulated unique and revealing expressions of love and sex between women in the Caribbean region of the Americas.” - Gloria Gonzalez Lopez (Bulletin of Latin American Research) “Thiefing Sugar certainly deserves praise for giving voice to so many women and issues that have long remained silenced in each of these respective fields. Moreover, Tinsley’s manner of conversing with women, her mirroring of their poetics, underscores how she is a woman who loves women, a woman committed to mapping ‘imaginative imagination’ that decolonizes theory and ‘hegemonic definitions of same-sex desire.’” - Olivia Donaldson (Journal of Lesbian Studies) “Thiefing Sugar is full of deliciously rich metaphors. . . . In this highly engaging and insightful book, Tinsley discusses the foremost tropes and metaphors in Caribbean women’s writing about desire between women. The syrup of language to be enjoyed here is not only that which abounds in the texts she discusses, but also in the suggestiveness of Tinsley’s own writing, which is sometimes dense but always rich and allusive.” - Ronald Cummings (Caribbean Review of Books) “Omise’eke Natasha Tinsley’s book is a brilliant, highly readable, and at times dense foundational study on twentieth-century Caribbean and diasporic women’s literary conceptualizations of living and loving in the Caribbean, specifically in Grenada, Haiti, Jamaica, Martinique, Suriname, and Trinidad.” - Lawrence La Fountain-Stokes (GLQ) “This is an important book for anyone interested in the Caribbean, the African diaspora, women and gender, or LGBTQ culture and literature. . . . . What stands out more than anything else is the overwhelming evidence Tinsley offers of a long history of Caribbean women's stated desire for other women, of (mostly) working-class black female eroticism that is intrinsically tied to rebellion against oppression by the dominant white-identified, colonialist, masculine, land-owning, and hetero-normative ruling class. This is a subversive, lyrical piece of scholarship. Summing Up: Highly recommended. Lower-division undergraduates through faculty.” - S. E. Cooper (Choice) “Tinsely’s fascinating study is noteworthy for its originality in scope and its depth. The author deftly demonstrates that the secret of Caribbean lesbian writing -- visible and invisible, white and of color, Francophone and Anglophone --is determined by constantly unfolding spaces that are impossible to define by the canonical -colonial tropes of the past.” - Tarik A. Smith (Palimpsest) A remarkable book that delights in sounding out the depths of the texts that it foregrounds, Thiefing Sugaris an elegant analysis of (potentially ambiguous) eroticism between women in the Caribbean. . . . [H]er contribution to and intervention in postcolonial and queer studies are most welcome.” - Vinay Swamy (MLQ)

• Acknowledgments ixIntroduction: The Spring of Her Look 11. "Rose is my mama, stanfaste is my papa": Hybrid Landscapes and Sexualities in Surinamese Women's Oral Poetry 292. Darkening the Lily: The Erotics of Self-Making in Eliot Bliss's Luminous Isle 683. Blue Countries, Dark Beauty: Opaque Desires in the Poetry of Ida Faubert 1024. At the River of Washerwomen: Work, Water, and Sexual Fluidity in Mayotte Capécia's I Am a Martinican Woman 1365. Transforming Sugar, Transitioning Revolution: Male Womanhood and Lesbian Eroticism in Michelle Cliff's No Telephone to Heaven 1696. Breaking Hard against Things: Crossing between Sexual and Revolutionary Politics in Dionne Brand's No Language in Neutral 201Notes 233Bibliography 257Index 269

Omise’eke Natasha Tinsley is Assistant Professor of English at the University of Minnesota.

“Luscious, abundant and rich-those are apt words for Thiefing Sugar, this captivating and lyrical exploration of what it meant in the twentieth century to be a Caribbean woman who loves women. Based on a well-chosen corpus of texts and lucid, in-depth analyses, the book is altogether a feast for the senses, a gift to us all!”-Gloria Wekker, Utrecht University, Netherlands “Through writing that is as lyrical as the poetry and fiction she analyzes, Omise’eke Natasha Tinsley makes connections between sugar production in the Caribbean, the paradoxical ‘ungendering’ of black female slaves that makes their sexual self-hood possible, and the landscape of the ‘Global South’ to argue that the history of the black woman’s body in the African Diaspora is shrouded not just in metaphor but in the materiality of their own world-making.”-E. Patrick Johnson, author of Appropriating Blackness: Performance and the Politics of Authenticity “Thiefing Sugar by Omise’eke Natasha Tinsley is a beautifully written, refreshing and innovative book. Tinsley examines the sophisticated ways in which gender and sexuality have historically and culturally articulated unique and revealing expressions of love and sex between women in the Caribbean region of the Americas.” - Gloria Gonzalez Lopez (Bulletin of Latin American Research) “Thiefing Sugar certainly deserves praise for giving voice to so many women and issues that have long remained silenced in each of these respective fields. Moreover, Tinsley’s manner of conversing with women, her mirroring of their poetics, underscores how she is a woman who loves women, a woman committed to mapping ‘imaginative imagination’ that decolonizes theory and ‘hegemonic definitions of same-sex desire.’” - Olivia Donaldson (Journal of Lesbian Studies) “Thiefing Sugar is full of deliciously rich metaphors. . . . In this highly engaging and insightful book, Tinsley discusses the foremost tropes and metaphors in Caribbean women’s writing about desire between women. The syrup of language to be enjoyed here is not only that which abounds in the texts she discusses, but also in the suggestiveness of Tinsley’s own writing, which is sometimes dense but always rich and allusive.” - Ronald Cummings (Caribbean Review of Books) “Omise’eke Natasha Tinsley’s book is a brilliant, highly readable, and at times dense foundational study on twentieth-century Caribbean and diasporic women’s literary conceptualizations of living and loving in the Caribbean, specifically in Grenada, Haiti, Jamaica, Martinique, Suriname, and Trinidad.” - Lawrence La Fountain-Stokes (GLQ) “This is an important book for anyone interested in the Caribbean, the African diaspora, women and gender, or LGBTQ culture and literature. . . . . What stands out more than anything else is the overwhelming evidence Tinsley offers of a long history of Caribbean women's stated desire for other women, of (mostly) working-class black female eroticism that is intrinsically tied to rebellion against oppression by the dominant white-identified, colonialist, masculine, land-owning, and hetero-normative ruling class. This is a subversive, lyrical piece of scholarship. Summing Up: Highly recommended. Lower-division undergraduates through faculty.” - S. E. Cooper (Choice) “Tinsely’s fascinating study is noteworthy for its originality in scope and its depth. The author deftly demonstrates that the secret of Caribbean lesbian writing -- visible and invisible, white and of color, Francophone and Anglophone --is determined by constantly unfolding spaces that are impossible to define by the canonical -colonial tropes of the past.” - Tarik A. Smith (Palimpsest) A remarkable book that delights in sounding out the depths of the texts that it foregrounds, Thiefing Sugaris an elegant analysis of (potentially ambiguous) eroticism between women in the Caribbean. . . . [H]er contribution to and intervention in postcolonial and queer studies are most welcome.” - Vinay Swamy (MLQ)

• Acknowledgments ixIntroduction: The Spring of Her Look 11. "Rose is my mama, stanfaste is my papa": Hybrid Landscapes and Sexualities in Surinamese Women's Oral Poetry 292. Darkening the Lily: The Erotics of Self-Making in Eliot Bliss's Luminous Isle 683. Blue Countries, Dark Beauty: Opaque Desires in the Poetry of Ida Faubert 1024. At the River of Washerwomen: Work, Water, and Sexual Fluidity in Mayotte Capécia's I Am a Martinican Woman 1365. Transforming Sugar, Transitioning Revolution: Male Womanhood and Lesbian Eroticism in Michelle Cliff's No Telephone to Heaven 1696. Breaking Hard against Things: Crossing between Sexual and Revolutionary Politics in Dionne Brand's No Language in Neutral 201Notes 233Bibliography 257Index 269