Paisley Rekdal is associate professor of English at the University of Utah. She is the author of three previous poetry collections: The Invention of the Kaleidoscope, A Crash of Rhinos, and Six Girls Without Pants, as well as a book of essays, The Night My Mother Met Bruce Lee. She is the recipient of the Village Voice Writers on the Verge Award, the University of Georgia Press Contemporary Poetry Series Award, an NEA Fellowship, a Fulbright Fellowship, the Laurence Goldstein Poetry Prize from Michigan Quarterly Review, and the 2011Ð2012 Amy Lowell Poetry Traveling Scholarship.

Paisley Rekdal's gaze never wavers whether she is looking at a bowl of cherries, her Chinese grandmother's mastectomy scars, an injured dog, or a Vincent Price B-movie, and in the kaleidoscope of her images she creates a new reality-fragmented, musical, and utterly true.

Paisley Rekdal is associate professor of English at the University of Utah. She is the author of three previous poetry collections: The Invention of the Kaleidoscope, A Crash of Rhinos, and Six Girls Without Pants, as well as a book of essays, The Night My Mother Met Bruce Lee. She is the recipient of the Village Voice Writers on the Verge Award, the University of Georgia Press Contemporary Poetry Series Award, an NEA Fellowship, a Fulbright Fellowship, the Laurence Goldstein Poetry Prize from Michigan Quarterly Review, and the 2011Ð2012 Amy Lowell Poetry Traveling Scholarship.

Paisley Rekdal's gaze never wavers whether she is looking at a bowl of cherries, her Chinese grandmother's mastectomy scars, an injured dog, or a Vincent Price B-movie, and in the kaleidoscope of her images she creates a new reality-fragmented, musical, and utterly true.

Paisley Rekdal is associate professor of English at the University of Utah. She is the author of three previous poetry collections: The Invention of the Kaleidoscope, A Crash of Rhinos, and Six Girls Without Pants, as well as a book of essays, The Night My Mother Met Bruce Lee. She is the recipient of the Village Voice Writers on the Verge Award, the University of Georgia Press Contemporary Poetry Series Award, an NEA Fellowship, a Fulbright Fellowship, the Laurence Goldstein Poetry Prize from Michigan Quarterly Review, and the 2011Ð2012 Amy Lowell Poetry Traveling Scholarship.

Paisley Rekdal's gaze never wavers whether she is looking at a bowl of cherries, her Chinese grandmother's mastectomy scars, an injured dog, or a Vincent Price B-movie, and in the kaleidoscope of her images she creates a new reality-fragmented, musical, and utterly true.