Deborah Shaw is Professor of Film and Screen Studies at the University of Portsmouth, UK. She is the founding co-editor of the journal Transnational Cinemas (Now Transnational Screens), and her books include Contemporary Latin American Cinema: Ten Key Films (2003), The Three Amigos: The Transnational Filmmaking of Guillermo del Toro, Alejandro González Iñárritu, and Alfonso Cuarón (2013), The Transnational Fantasies of Guillermo del Toro (co-edited with Ann Davies and Dolores Tierney, 2014), and Latin American Women Filmmakers: Production, Politics, Poetics (co-edited with Deborah Martin 2017).

Title mention in the British Bulletin of Publications, October 2005 - October 2006

• Introduction 1. Cuba: From Memories of Underdevelopment to Strawberry and Chocolate 2. Mexico: Like Water for Chocolate and Amores Perros 3. Chile: Searching the Past for the Future in Amnesia and The Frontier 4. Argentina: The Voyage and I the Worst of All 5. Brazil: National Identity and the Family in Pixote and Central Station Conclusion Filmography Bibliography Index

Deborah Shaw is Professor of Film and Screen Studies at the University of Portsmouth, UK. She is the founding co-editor of the journal Transnational Cinemas (Now Transnational Screens), and her books include Contemporary Latin American Cinema: Ten Key Films (2003), The Three Amigos: The Transnational Filmmaking of Guillermo del Toro, Alejandro González Iñárritu, and Alfonso Cuarón (2013), The Transnational Fantasies of Guillermo del Toro (co-edited with Ann Davies and Dolores Tierney, 2014), and Latin American Women Filmmakers: Production, Politics, Poetics (co-edited with Deborah Martin 2017).

Title mention in the British Bulletin of Publications, October 2005 - October 2006

• Introduction 1. Cuba: From Memories of Underdevelopment to Strawberry and Chocolate 2. Mexico: Like Water for Chocolate and Amores Perros 3. Chile: Searching the Past for the Future in Amnesia and The Frontier 4. Argentina: The Voyage and I the Worst of All 5. Brazil: National Identity and the Family in Pixote and Central Station Conclusion Filmography Bibliography Index

Deborah Shaw is Professor of Film and Screen Studies at the University of Portsmouth, UK. She is the founding co-editor of the journal Transnational Cinemas (Now Transnational Screens), and her books include Contemporary Latin American Cinema: Ten Key Films (2003), The Three Amigos: The Transnational Filmmaking of Guillermo del Toro, Alejandro González Iñárritu, and Alfonso Cuarón (2013), The Transnational Fantasies of Guillermo del Toro (co-edited with Ann Davies and Dolores Tierney, 2014), and Latin American Women Filmmakers: Production, Politics, Poetics (co-edited with Deborah Martin 2017).

Title mention in the British Bulletin of Publications, October 2005 - October 2006

• Introduction 1. Cuba: From Memories of Underdevelopment to Strawberry and Chocolate 2. Mexico: Like Water for Chocolate and Amores Perros 3. Chile: Searching the Past for the Future in Amnesia and The Frontier 4. Argentina: The Voyage and I the Worst of All 5. Brazil: National Identity and the Family in Pixote and Central Station Conclusion Filmography Bibliography Index