J. Brooks Bouson is a Professor of English at Loyola University in Chicago, USA.

We welcome this new collection of essays on Margaret Atwood's later novels, the first to include a substantial section on Oryx and Crake. J.Brooks Bouson has assembled an international team of major Atwood scholars who show us fascinating new ways of understanding Atwood's fiction by highlighting features which range from magic realism to environmentalism and debt, trauma narratives, and her apocalyptic imagination. The critical inventiveness of these essays matches Atwood's own irrepressibly creative storytelling.

• Series Preface; Acknowledgments; 1. Introduction: Negotiating with Margaret Atwood J. Brooks Bouson; Part I: The Robber Bride (1993) 2. Magical Realism in The Robber Bride and Other Texts Sharon R. Wilson; 3. Parodic Border Crossings in Atwood's The Robber Bride Hilde Staels; 4. You're History: Living with Trauma in The Robber Bride Laurie Vickroy; Part II: The Blind Assassin (2000) 5. "Was I My Sister's Keeper?" The Blind Assassin and Problematic Feminisms Fiona Tolan; 6. Narrative Multiplicity and the Multi-layered Self in Margaret Atwood's The Blind Assassin Magali Cornier Michael; 7. "If You Look Long Enough": Photography, Memory, and Mourning in The Blind Assassin Shuli Barzilai; Part III: Oryx and Crake (2003) 8. Moral/Environmental Debt in Margaret Atwood's Payback and Oryx and Crake Shannon Hengen; 9. Problematic Paradice: Margaret Atwood's Oryx and Crake Karen Stein; 10. The Apocalyptic Imagination in Margaret Atwood's Oryx and Crake Mark Bosco; Notes on Chapters; Works Cited; Further Reading; Notes on Contributors; Index.

J. Brooks Bouson is a Professor of English at Loyola University in Chicago, USA.

We welcome this new collection of essays on Margaret Atwood's later novels, the first to include a substantial section on Oryx and Crake. J.Brooks Bouson has assembled an international team of major Atwood scholars who show us fascinating new ways of understanding Atwood's fiction by highlighting features which range from magic realism to environmentalism and debt, trauma narratives, and her apocalyptic imagination. The critical inventiveness of these essays matches Atwood's own irrepressibly creative storytelling.

• Series Preface; Acknowledgments; 1. Introduction: Negotiating with Margaret Atwood J. Brooks Bouson; Part I: The Robber Bride (1993) 2. Magical Realism in The Robber Bride and Other Texts Sharon R. Wilson; 3. Parodic Border Crossings in Atwood's The Robber Bride Hilde Staels; 4. You're History: Living with Trauma in The Robber Bride Laurie Vickroy; Part II: The Blind Assassin (2000) 5. "Was I My Sister's Keeper?" The Blind Assassin and Problematic Feminisms Fiona Tolan; 6. Narrative Multiplicity and the Multi-layered Self in Margaret Atwood's The Blind Assassin Magali Cornier Michael; 7. "If You Look Long Enough": Photography, Memory, and Mourning in The Blind Assassin Shuli Barzilai; Part III: Oryx and Crake (2003) 8. Moral/Environmental Debt in Margaret Atwood's Payback and Oryx and Crake Shannon Hengen; 9. Problematic Paradice: Margaret Atwood's Oryx and Crake Karen Stein; 10. The Apocalyptic Imagination in Margaret Atwood's Oryx and Crake Mark Bosco; Notes on Chapters; Works Cited; Further Reading; Notes on Contributors; Index.

J. Brooks Bouson is a Professor of English at Loyola University in Chicago, USA.

We welcome this new collection of essays on Margaret Atwood's later novels, the first to include a substantial section on Oryx and Crake. J.Brooks Bouson has assembled an international team of major Atwood scholars who show us fascinating new ways of understanding Atwood's fiction by highlighting features which range from magic realism to environmentalism and debt, trauma narratives, and her apocalyptic imagination. The critical inventiveness of these essays matches Atwood's own irrepressibly creative storytelling.

• Series Preface; Acknowledgments; 1. Introduction: Negotiating with Margaret Atwood J. Brooks Bouson; Part I: The Robber Bride (1993) 2. Magical Realism in The Robber Bride and Other Texts Sharon R. Wilson; 3. Parodic Border Crossings in Atwood's The Robber Bride Hilde Staels; 4. You're History: Living with Trauma in The Robber Bride Laurie Vickroy; Part II: The Blind Assassin (2000) 5. "Was I My Sister's Keeper?" The Blind Assassin and Problematic Feminisms Fiona Tolan; 6. Narrative Multiplicity and the Multi-layered Self in Margaret Atwood's The Blind Assassin Magali Cornier Michael; 7. "If You Look Long Enough": Photography, Memory, and Mourning in The Blind Assassin Shuli Barzilai; Part III: Oryx and Crake (2003) 8. Moral/Environmental Debt in Margaret Atwood's Payback and Oryx and Crake Shannon Hengen; 9. Problematic Paradice: Margaret Atwood's Oryx and Crake Karen Stein; 10. The Apocalyptic Imagination in Margaret Atwood's Oryx and Crake Mark Bosco; Notes on Chapters; Works Cited; Further Reading; Notes on Contributors; Index.