Panorama

Philosophies of the Visible

AvWilhelm S. Wurzer

Häftad, Engelska, 2003

Del i serien Textures S.

1 476 kr

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Beskrivning

The new electronic age has seen a radical transition from book to screen, a development which has obscured the fact that it is not what we see which matters but how we see what we see. We live in a time when the visible needs to be retheorised.Panorama presents a broad analysis of philosophies of the visible in art and culture, particularly in painting, film, photography, and literature. The work of key philosophers--Kant, Hegel, Nietzsche, Heidegger, Levinas, Barthes, Blanchot, Foucault, Bataille, Derrida, Lyotard and Deleuze--is examined in the context of visibility, expressivity, the representational and the postmodern. Contributors: Zsuzsa Baross, Robert Burch, Alessandro Carrera, Dana Hollander, Lynne Huffer, Volker Kaiser, Reginald Lilly, Robert S. Leventhal, Janet Lungstrum, Ladelle McWhorter, Ludwig Nagl, Anne Tomiche, James R. Watson, Lisa Zucker

Produktinformation

Utgivningsdatum:2003-01-01
Mått:156 x 234 x 14 mm
Vikt:381 g
Format:Häftad
Språk:Engelska
Serie:Textures S.
Antal sidor:268
Förlag:Bloomsbury Publishing PLC
ISBN:9780826460042

Utforska kategorier

Filosofi inom Filosofi och religion
Konstteori inom Kultur

Mer om författaren

Wilhelm S. Wurzer is Professor and Chair of the Philosophy Department at Duquesne University, Pittsburgh.

Innehållsförteckning

INTRODUCTION Between the Visible and the Expressive: And In-visible Exchange, Wilhelm S. Wurzer PART ONE: POSTMODERN VISIONS 1. Rephrasing the Visible and the Expressive: Lyotard's 'Defense of the Eye' from Figure to Inarticulare Phrase, Anne Tomiche (University of Grenoble) 2. Visibility, "Bild" and "Einbildungskraft", Derrida, Barthes, Levinas, Ludwig Nagl (University of Vienna). 3. Puncturing Genres: Barthes and Derrida on the Limits of Representation, Dana Hollander (Michigan State University) PART TWO: BEYOND REPRESENTATIONAL THINKING Introduction... While Illustrating... 4. Blanchot's Gaze and Orpheus' Singing: Seeing and Listening in Poetic Inspiration, Alessandro Carrera (University of Texas). 5. Foucault and the Disappearance of the Visible Subject, Reginald Lilly (Skidmore College). PART THREE: EXPRESSIONS AND THE LIMITS OF PHILOSOPHY Introduction... Desire, Displacement, and Laughter... 6. Frames of Visibility: Si(gh)ting the Monstrous, Robert Burch (University of Alberta). 7. Francis Bacon, Logique de la sensation: The Philosopher's Painter, Zsuzsa Baross (Trent University, Canada). 8. Bataille's Erotic Displacement of Vision: Attempts at a Feminist Reading, Ladelle McWhorter (University of Richmond). 9. Luce Irigaray's Specular Mother: Lips in the Mirror, Lynne Huffer (Rice University). PART FOUR: FILMING THE (IN)VISIBLE Introduction... In Images Ending... 10. Expressionist Towers of Babel in Weimar Film and Architecture, Janet Lungstrum (University of Colorado). 11. Rewiring the Oedipal Scene: Image and Discursivity in Wim Wender's Journey 'Until the End of the World', Volker Kaiser & Robert S. Leventhal (University of Virginia). PART FIVE: CRITIQUES OF CONTEMPORARY IMAGE CULTURE Introduction... Beyond a Paradigm... 12. Imagism and the Ends of Vision: Pound and Salomon, Lisa Zucker. 13. Mediums of Freedom in Photographic Frames: Some Exposuires of Bound Transcendence, James R. Watson (Loyola University). EPILOGUE: The Paradox of Philosophy's Gaze (before & after Sept. 11), Wilhelm S. Wurzer.