Sean Matthews is Lecturer in Modern and Contemporary Literature and Director of the D. H. Lawrence Research Centre, at the University of Nottingham, UK. Sebastian Groes is Lecturer in English at Liverpool Hope University, UK.

"Kazuo Ishiguro is a magnificently diverse and elusive writer and this volume's rich multiplicity of perspectives suits him perfectly. It is required reading for those who are studying or simply enchanted by his fiction - criticism at its most absorbing and spirited." - Professor Richard Bradford, Professor of Literary History & Theory at the University of Ulster, UK

• Preface - Haruki Murakami; General Introduction; Biography / Chronology; 1: Reading Never Let Me Go, John Mullan (University College London); 2: 'I don't want to think about things too much': Ishiguro's Short Fiction in Context, Brian W. Shaffer (Rhodes College); 3. Ishiguro's Writing for the Screen, Paul-Daniel Veyret (University of Bordeaux); 4. The Unconsoled as Minor Literature, Tim Jarvis; 5. Myth, Mortality and Transcendence in Never Let Me Go and Remains of the Day, J'annine Jobling (Liverpool Hope University); 6. The construction of gender identity in A Pale View of Hills, An Artist of the Floating World and The Remains of the Day, Justine Baillie (University of Greenwich); 7. Rereading Never Let Me Go, Mark Currie (University of East Anglia); 8. Of Vision and Blindness: Kazuo's thinking about the First and Second World War, Sean Matthews; 9.Cultural Amnesia in The Unconsoled and Never Let Me Go, Julika Griem (Technische Universitat Darmstadt); 10. Interview with Kazuo Ishiguro by Sean Matthews (University of Nottingham); Further Reading; Index.

Sean Matthews is Lecturer in Modern and Contemporary Literature and Director of the D. H. Lawrence Research Centre, at the University of Nottingham, UK. Sebastian Groes is Lecturer in English at Liverpool Hope University, UK.

"Kazuo Ishiguro is a magnificently diverse and elusive writer and this volume's rich multiplicity of perspectives suits him perfectly. It is required reading for those who are studying or simply enchanted by his fiction - criticism at its most absorbing and spirited." - Professor Richard Bradford, Professor of Literary History & Theory at the University of Ulster, UK

• Preface - Haruki Murakami; General Introduction; Biography / Chronology; 1: Reading Never Let Me Go, John Mullan (University College London); 2: 'I don't want to think about things too much': Ishiguro's Short Fiction in Context, Brian W. Shaffer (Rhodes College); 3. Ishiguro's Writing for the Screen, Paul-Daniel Veyret (University of Bordeaux); 4. The Unconsoled as Minor Literature, Tim Jarvis; 5. Myth, Mortality and Transcendence in Never Let Me Go and Remains of the Day, J'annine Jobling (Liverpool Hope University); 6. The construction of gender identity in A Pale View of Hills, An Artist of the Floating World and The Remains of the Day, Justine Baillie (University of Greenwich); 7. Rereading Never Let Me Go, Mark Currie (University of East Anglia); 8. Of Vision and Blindness: Kazuo's thinking about the First and Second World War, Sean Matthews; 9.Cultural Amnesia in The Unconsoled and Never Let Me Go, Julika Griem (Technische Universitat Darmstadt); 10. Interview with Kazuo Ishiguro by Sean Matthews (University of Nottingham); Further Reading; Index.

Sean Matthews is Lecturer in Modern and Contemporary Literature and Director of the D. H. Lawrence Research Centre, at the University of Nottingham, UK. Sebastian Groes is Lecturer in English at Liverpool Hope University, UK.

"Kazuo Ishiguro is a magnificently diverse and elusive writer and this volume's rich multiplicity of perspectives suits him perfectly. It is required reading for those who are studying or simply enchanted by his fiction - criticism at its most absorbing and spirited." - Professor Richard Bradford, Professor of Literary History & Theory at the University of Ulster, UK

• Preface - Haruki Murakami; General Introduction; Biography / Chronology; 1: Reading Never Let Me Go, John Mullan (University College London); 2: 'I don't want to think about things too much': Ishiguro's Short Fiction in Context, Brian W. Shaffer (Rhodes College); 3. Ishiguro's Writing for the Screen, Paul-Daniel Veyret (University of Bordeaux); 4. The Unconsoled as Minor Literature, Tim Jarvis; 5. Myth, Mortality and Transcendence in Never Let Me Go and Remains of the Day, J'annine Jobling (Liverpool Hope University); 6. The construction of gender identity in A Pale View of Hills, An Artist of the Floating World and The Remains of the Day, Justine Baillie (University of Greenwich); 7. Rereading Never Let Me Go, Mark Currie (University of East Anglia); 8. Of Vision and Blindness: Kazuo's thinking about the First and Second World War, Sean Matthews; 9.Cultural Amnesia in The Unconsoled and Never Let Me Go, Julika Griem (Technische Universitat Darmstadt); 10. Interview with Kazuo Ishiguro by Sean Matthews (University of Nottingham); Further Reading; Index.