Materialist Shakespeare

A History

Häftad, Engelska, 1995

250 kr

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Beskrivning

Receptive to influences of such diverse theorists as Derrida, Jameson, Foucault, Irigaray, Kristeva, Lacan and Althusser, materialist Shakespeare criticism has long since left behind the days of 'vulgar' Marxism and has emerged as a rich interpretive practice. The essays chosen for this book cover all of Shakespeare's dramatic genres and include works on King Lear, Othello, As You Like It, Measure for Measure, The Tempest, The Merchant of Venice, Henry V, Macbeth, The Taming of the Shrew and Julius Caesar. Contributors: Paul Delany; Louis Adrian Montrose; Walter Cohen; Alan Sinfield; Stephen Greenblatt; Michael D. Bristol; Katherine Eismann Maus; James R. Andreas; Robert Weimann; Graham Holderness; Lynda E. Boose; John Drakakis; Claire McEacherm; Frederic Jameson; and Ivo Kamps.

Produktinformation

Utgivningsdatum:1995-07-17
Mått:152 x 234 x 25 mm
Vikt:578 g
Format:Häftad
Språk:Engelska
Antal sidor:388
Förlag:Verso Books
Medarbetare:Fredric Jameson
ISBN:9780860916741

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Mer om författaren

Fredric Jameson (14/04/34 - 22/09/24) was Distinguished Professor of Comparative Literature at Duke University. The author of numerous books, he has developed a richly nuanced vision of Western culture's relation to political economy. He was a recipient of the 2008 Holberg International Memorial Prize. He is the author of many books, including Postmodernism, Or, The Cultural Logic of Late Capitalism, The Cultural Turn, A Singular Modernity, Archaeologies of the Future, Brecht and Method, Ideologies of Theory, Valences of the Dialectic, The Hegel Variations and Representing Capital IVO RAMPS is Professor of English at the University of Mississippi. Ivo Is the author of Staging History: Historiography, Ideology, and Literary Form In the Stuart Drama, and editor of Shakespeare Left and Right and Materialist Shakespeare.

Recensioner i media

... the encounter between Shakespeare and radical (or Marxist) criticism and theory is a two-way street: we find ourselves asking not merely what such critical theory has to tell us about Shakespeare, but also what Shakespeare has to tell us about radical criticism.