London in the dark end-times of the late noughties; escaped war criminals and their hired thugs scavenge like hyenas amid the city's smut and glitter, the system appears in nonchalant free-fall and words drop cheaply as grimy metropolitan rain. With this dystopian backdrop, where language is spun, redacted and renditioned, McCabe and Reed's gritty riposte performs an angry and elegant resistance. The result of this psychogeographic collaboration between two of modern poetry's most distinct voices is this - a poetry chain-letter that seeks to interrogate the city at one of the most peculiar and sinister points in contemporary history and to map the capital on foot, under their own light; poems as foundlings; the weight of language and place obsessively and voraciously explored. Beneath flagstones, in river silt and on the top decks of buses, the strange, dark energies of the city find their way into this electrifying exchange of poems."McCabe and Reed's wide-eyed, X-rayed Cubist vision of London is more than a cultural mapping. It is a significant addition to the poetry of London. Partly a response to Whitehall's warring, it uncovers deeper historical and pyschogeographical interplay within the city. Horizontal and vertical layers of story are contextualized and abstracted to reveal multifarious states of being, control and flux. These anchored, edgy scripts of multiverse unearth deposits in angular localised texts that make you smile, laugh, wonder and leave you wanting more. A tour de force in every way." David Caddy"This book is both a celebration and a dark critique, appropriate for the dark times we inhabit. Intense and uncompromising and I'm already looking forward to reading Part Two!"Steve Spence, Stride MagazineChris McCabe was born in Liverpool in 1977. His poetry collections are The Hutton Inquiry, Zeppelins and The Restructure, all published by Salt. He has recorded a CD with The Poetry Archive and written a play Shad Thames, Broken Wharf, which was performed at the London Word Festival and subsequently published by Penned in the Margins in 2010. He works as Poetry Librarian at The Poetry Library, London, and teaches for The Poetry School.Jeremy Reed has been described by the Independent as "British poetry's glam, spangly, shape-shifting answer to David Bowie." He has published over 40 books of poetry, fiction and non-fiction, winning prestigious literary prizes like the Somerset Maugham Award.

London in the dark end-times of the late noughties; escaped war criminals and their hired thugs scavenge like hyenas amid the city's smut and glitter, the system appears in nonchalant free-fall and words drop cheaply as grimy metropolitan rain. With this dystopian backdrop, where language is spun, redacted and renditioned, McCabe and Reed's gritty riposte performs an angry and elegant resistance. The result of this psychogeographic collaboration between two of modern poetry's most distinct voices is this - a poetry chain-letter that seeks to interrogate the city at one of the most peculiar and sinister points in contemporary history and to map the capital on foot, under their own light; poems as foundlings; the weight of language and place obsessively and voraciously explored. Beneath flagstones, in river silt and on the top decks of buses, the strange, dark energies of the city find their way into this electrifying exchange of poems."McCabe and Reed's wide-eyed, X-rayed Cubist vision of London is more than a cultural mapping. It is a significant addition to the poetry of London. Partly a response to Whitehall's warring, it uncovers deeper historical and pyschogeographical interplay within the city. Horizontal and vertical layers of story are contextualized and abstracted to reveal multifarious states of being, control and flux. These anchored, edgy scripts of multiverse unearth deposits in angular localised texts that make you smile, laugh, wonder and leave you wanting more. A tour de force in every way." David Caddy"This book is both a celebration and a dark critique, appropriate for the dark times we inhabit. Intense and uncompromising and I'm already looking forward to reading Part Two!"Steve Spence, Stride MagazineChris McCabe was born in Liverpool in 1977. His poetry collections are The Hutton Inquiry, Zeppelins and The Restructure, all published by Salt. He has recorded a CD with The Poetry Archive and written a play Shad Thames, Broken Wharf, which was performed at the London Word Festival and subsequently published by Penned in the Margins in 2010. He works as Poetry Librarian at The Poetry Library, London, and teaches for The Poetry School.Jeremy Reed has been described by the Independent as "British poetry's glam, spangly, shape-shifting answer to David Bowie." He has published over 40 books of poetry, fiction and non-fiction, winning prestigious literary prizes like the Somerset Maugham Award.

London in the dark end-times of the late noughties; escaped war criminals and their hired thugs scavenge like hyenas amid the city's smut and glitter, the system appears in nonchalant free-fall and words drop cheaply as grimy metropolitan rain. With this dystopian backdrop, where language is spun, redacted and renditioned, McCabe and Reed's gritty riposte performs an angry and elegant resistance. The result of this psychogeographic collaboration between two of modern poetry's most distinct voices is this - a poetry chain-letter that seeks to interrogate the city at one of the most peculiar and sinister points in contemporary history and to map the capital on foot, under their own light; poems as foundlings; the weight of language and place obsessively and voraciously explored. Beneath flagstones, in river silt and on the top decks of buses, the strange, dark energies of the city find their way into this electrifying exchange of poems."McCabe and Reed's wide-eyed, X-rayed Cubist vision of London is more than a cultural mapping. It is a significant addition to the poetry of London. Partly a response to Whitehall's warring, it uncovers deeper historical and pyschogeographical interplay within the city. Horizontal and vertical layers of story are contextualized and abstracted to reveal multifarious states of being, control and flux. These anchored, edgy scripts of multiverse unearth deposits in angular localised texts that make you smile, laugh, wonder and leave you wanting more. A tour de force in every way." David Caddy"This book is both a celebration and a dark critique, appropriate for the dark times we inhabit. Intense and uncompromising and I'm already looking forward to reading Part Two!"Steve Spence, Stride MagazineChris McCabe was born in Liverpool in 1977. His poetry collections are The Hutton Inquiry, Zeppelins and The Restructure, all published by Salt. He has recorded a CD with The Poetry Archive and written a play Shad Thames, Broken Wharf, which was performed at the London Word Festival and subsequently published by Penned in the Margins in 2010. He works as Poetry Librarian at The Poetry Library, London, and teaches for The Poetry School.Jeremy Reed has been described by the Independent as "British poetry's glam, spangly, shape-shifting answer to David Bowie." He has published over 40 books of poetry, fiction and non-fiction, winning prestigious literary prizes like the Somerset Maugham Award.