While photographer Lisa Kereszi (born 1973) was researching for her previous book, Joe's Junk Yard, her father, Joe Jr., gave her a worn and tattered old photo album that he had compiled in the 1970s and 80s. Inside were 4 x 6-inch color photographs taken by Joe Jr. of biker babes in bars, at bike rallies and drag races, in various states of undress. As Kereszi says, "It's really a very odd group of images for a daughter to find--pics of biker babes showing off their tattoos, their boyfriends' bikes and hot rods, and, well, breasts." Kereszi appropriated the photographs, and re-cropped them for this volume. "The edit goes through various different types of pictures," she notes, "from the expected, posed shots, to the ‘money shots,' then on to some very interesting and beautiful images of women unawares."

While photographer Lisa Kereszi (born 1973) was researching for her previous book, Joe's Junk Yard, her father, Joe Jr., gave her a worn and tattered old photo album that he had compiled in the 1970s and 80s. Inside were 4 x 6-inch color photographs taken by Joe Jr. of biker babes in bars, at bike rallies and drag races, in various states of undress. As Kereszi says, "It's really a very odd group of images for a daughter to find--pics of biker babes showing off their tattoos, their boyfriends' bikes and hot rods, and, well, breasts." Kereszi appropriated the photographs, and re-cropped them for this volume. "The edit goes through various different types of pictures," she notes, "from the expected, posed shots, to the ‘money shots,' then on to some very interesting and beautiful images of women unawares."

While photographer Lisa Kereszi (born 1973) was researching for her previous book, Joe's Junk Yard, her father, Joe Jr., gave her a worn and tattered old photo album that he had compiled in the 1970s and 80s. Inside were 4 x 6-inch color photographs taken by Joe Jr. of biker babes in bars, at bike rallies and drag races, in various states of undress. As Kereszi says, "It's really a very odd group of images for a daughter to find--pics of biker babes showing off their tattoos, their boyfriends' bikes and hot rods, and, well, breasts." Kereszi appropriated the photographs, and re-cropped them for this volume. "The edit goes through various different types of pictures," she notes, "from the expected, posed shots, to the ‘money shots,' then on to some very interesting and beautiful images of women unawares."