Marianna Deganutti studied in Italy, Slovenia and the UK. She holds a DPhil (PhD) in Modern Languages at the University of Oxford. From 2016 to 2018, she was a Research Associate at the University of Bath, where she worked for the Horizon 2020-funded project UNREST. She has just completed a postdoc at the Ludwig Maximilian University of Munich.

• ContentsList of IllustrationsAcknowledgmentsNotes on the TranslationsIntroduction: Languages and BorderlandsChapter 1 Literary Multilingualism in Borderlands: Theoretical PremisesChapter 2 The Choice of the First LanguageChapter 3 Poetry in TriestinoChapter 4 Exploiting an Extensive RepertoireChapter 5 Writing in the Dominant LanguageConclusions: On Literary BorderlanguagingAppendix: Notes for the sonnet L’Eco del Klutsch [The Echo of Klutsch]

Marianna Deganutti studied in Italy, Slovenia and the UK. She holds a DPhil (PhD) in Modern Languages at the University of Oxford. From 2016 to 2018, she was a Research Associate at the University of Bath, where she worked for the Horizon 2020-funded project UNREST. She has just completed a postdoc at the Ludwig Maximilian University of Munich.

• ContentsList of IllustrationsAcknowledgmentsNotes on the TranslationsIntroduction: Languages and BorderlandsChapter 1 Literary Multilingualism in Borderlands: Theoretical PremisesChapter 2 The Choice of the First LanguageChapter 3 Poetry in TriestinoChapter 4 Exploiting an Extensive RepertoireChapter 5 Writing in the Dominant LanguageConclusions: On Literary BorderlanguagingAppendix: Notes for the sonnet L’Eco del Klutsch [The Echo of Klutsch]

Marianna Deganutti studied in Italy, Slovenia and the UK. She holds a DPhil (PhD) in Modern Languages at the University of Oxford. From 2016 to 2018, she was a Research Associate at the University of Bath, where she worked for the Horizon 2020-funded project UNREST. She has just completed a postdoc at the Ludwig Maximilian University of Munich.

• ContentsList of IllustrationsAcknowledgmentsNotes on the TranslationsIntroduction: Languages and BorderlandsChapter 1 Literary Multilingualism in Borderlands: Theoretical PremisesChapter 2 The Choice of the First LanguageChapter 3 Poetry in TriestinoChapter 4 Exploiting an Extensive RepertoireChapter 5 Writing in the Dominant LanguageConclusions: On Literary BorderlanguagingAppendix: Notes for the sonnet L’Eco del Klutsch [The Echo of Klutsch]