General Editors:Tom Bishop, Professor of English, Emeritus, University of Auckland, New ZealandAlexa Alice Joubin, Professor of English, George Washington University and Research Affiliate, MIT, USAGuest Editors:Deanne Williams is Professor of English and Theatre Studies at York UniversityTom Bishop, Professor of English, Emeritus, University of Auckland, New Zealand

• List of FiguresPrefaceTom Bishop and Alexa Alice JoubinGeneral EditorsList of ContributorsPart I: Special Section: Pericles, Prince of TyreSpecial Guest Editors: Deanne Williams, York University, and Tom Bishop, University of Auckland Introduction Deanne Williams, York University, and Tom Bishop, University of Auckland Whose Pericles, and Why, and When?Stephen Orgel, Stanford University The Excesses of Romance: Shakespeare’s Pericles and the BaroqueRobert Hudson Vincent, Harvard University Hrotswitha of Gandersheim, Pericles, Prince of Tyre, and Humanist Girlhood Deanne Williams, York University Eater and Eaten, Feeder and Fed: Intercultural Consumption in Pericles Stephen Cohen, Central Connecticut State University Pericles and the Sea of ThingsAndrew S. Brown, Dalhousie University Pericles and the Primacy of MovementTonhi Lee, Tufts University "The purchase is to make men glorious": Pericles on the Stuart Court StageGabriel Lonsbery, Purdue University Inscribed Props and Daughters in Pericles Bernice Mittertreiner Neal, York University Musicking the Spheres in Pericles Jennifer Linhart Wood, George Mason University Pericles Comes to AmericaTom Bishop, University of Auckland Line Dancing, Belly Dancing, and Martial Arts: Staging the Soldiers’ Dance in Pericles Linda McJannet, Bentley University Productions of Pericles, Prince of Tyre, 1900-2020: a checklistTom Bishop, University of AucklandPart Two: Recent Literature Review14. Intersectional Shakespeare: the State of the Field, 2020-21Nicole A. Jacobs, California Polytechnic State UniversityIndex

General Editors:Tom Bishop, Professor of English, Emeritus, University of Auckland, New ZealandAlexa Alice Joubin, Professor of English, George Washington University and Research Affiliate, MIT, USAGuest Editors:Deanne Williams is Professor of English and Theatre Studies at York UniversityTom Bishop, Professor of English, Emeritus, University of Auckland, New Zealand

• List of FiguresPrefaceTom Bishop and Alexa Alice JoubinGeneral EditorsList of ContributorsPart I: Special Section: Pericles, Prince of TyreSpecial Guest Editors: Deanne Williams, York University, and Tom Bishop, University of Auckland Introduction Deanne Williams, York University, and Tom Bishop, University of Auckland Whose Pericles, and Why, and When?Stephen Orgel, Stanford University The Excesses of Romance: Shakespeare’s Pericles and the BaroqueRobert Hudson Vincent, Harvard University Hrotswitha of Gandersheim, Pericles, Prince of Tyre, and Humanist Girlhood Deanne Williams, York University Eater and Eaten, Feeder and Fed: Intercultural Consumption in Pericles Stephen Cohen, Central Connecticut State University Pericles and the Sea of ThingsAndrew S. Brown, Dalhousie University Pericles and the Primacy of MovementTonhi Lee, Tufts University "The purchase is to make men glorious": Pericles on the Stuart Court StageGabriel Lonsbery, Purdue University Inscribed Props and Daughters in Pericles Bernice Mittertreiner Neal, York University Musicking the Spheres in Pericles Jennifer Linhart Wood, George Mason University Pericles Comes to AmericaTom Bishop, University of Auckland Line Dancing, Belly Dancing, and Martial Arts: Staging the Soldiers’ Dance in Pericles Linda McJannet, Bentley University Productions of Pericles, Prince of Tyre, 1900-2020: a checklistTom Bishop, University of AucklandPart Two: Recent Literature Review14. Intersectional Shakespeare: the State of the Field, 2020-21Nicole A. Jacobs, California Polytechnic State UniversityIndex