Mats Strandberg is one of Sweden's most acclaimed suspense and horror authors, writing for both adults and children. He had his breakthrough in 2011 with the global publishing hit The Circle (co-written with Sara Bergmark Elfgren, published in the UK/US by Random House), which sold to 30 markets, was made into a feature film and nominated for the prestigious August Prize. His horror novels Blood Cruise (2015, published by Jo Flether Books) and The Home (2017, published by Jo Fletcher Books), as well as the YA novel The End (2018), have been praised by critics and readers alike.

Strandberg plays with gothic themes, and substantiates that which other works inthe genre often lock away in the basement or in the attic . . . Strandberg’s gothic standingis undisputed

Mats Strandberg is one of Sweden's most acclaimed suspense and horror authors, writing for both adults and children. He had his breakthrough in 2011 with the global publishing hit The Circle (co-written with Sara Bergmark Elfgren, published in the UK/US by Random House), which sold to 30 markets, was made into a feature film and nominated for the prestigious August Prize. His horror novels Blood Cruise (2015, published by Jo Flether Books) and The Home (2017, published by Jo Fletcher Books), as well as the YA novel The End (2018), have been praised by critics and readers alike.

Strandberg plays with gothic themes, and substantiates that which other works inthe genre often lock away in the basement or in the attic . . . Strandberg’s gothic standingis undisputed

Mats Strandberg is one of Sweden's most acclaimed suspense and horror authors, writing for both adults and children. He had his breakthrough in 2011 with the global publishing hit The Circle (co-written with Sara Bergmark Elfgren, published in the UK/US by Random House), which sold to 30 markets, was made into a feature film and nominated for the prestigious August Prize. His horror novels Blood Cruise (2015, published by Jo Flether Books) and The Home (2017, published by Jo Fletcher Books), as well as the YA novel The End (2018), have been praised by critics and readers alike.

Strandberg plays with gothic themes, and substantiates that which other works inthe genre often lock away in the basement or in the attic . . . Strandberg’s gothic standingis undisputed