Kirk Ormand is Professor of Classics at Oberlin College, Ohio. He is author of Exchange and the Maiden: Marriage in Sophoclean Tragedy (1999) and Controlling Desires: Sexuality in Ancient Greece and Rome (2008), and editor of A Companion to Sophocles (2012). He has published articles on Homer, Sophocles, Euripides, Ovid, Lucan, the Greek Novel, and Clint Eastwood. He is the recipient of the Basil Gildersleeve Prize from the American Journal of Philology, the Barbara McManus Prize from the Women's Classical Caucus of the American Philological Association, and the John J. Winkler Memorial Prize. Ormand has traveled extensively in Greece, and held the post of Whitehead Professor of the American School of Classical Studies in Athens during the 2007-8 academic year. He also held a Solmsen Fellowship at the Center for the Study of the Humanities, University of Wisconsin, Madison, in 1999-2000.

'… [a] strenuously argued and very convincing book … Ormand imbues the Hesiodic Catalogue with an energetic, coherent emotional life, and somewhat sorrowful political purpose, to a degree that I can hardly imagine being surpassed.' Eve A. Browning, Bryn Mawr Classical Review

• 1. Introduction: the Hesiodic Catalogue of Women; 2. The Catalogue and the mystery of the disappearing hedna; 3. Marriage, identity, and the story of Mestra; 4. Atalanta reflects the Iliad; 5. Then there was the one who was Alkmene; 6. The marriage of Helen and the end of the Catalogue; 7. Epilogue: women, middling discourse, and the polis.

Kirk Ormand is Professor of Classics at Oberlin College, Ohio. He is author of Exchange and the Maiden: Marriage in Sophoclean Tragedy (1999) and Controlling Desires: Sexuality in Ancient Greece and Rome (2008), and editor of A Companion to Sophocles (2012). He has published articles on Homer, Sophocles, Euripides, Ovid, Lucan, the Greek Novel, and Clint Eastwood. He is the recipient of the Basil Gildersleeve Prize from the American Journal of Philology, the Barbara McManus Prize from the Women's Classical Caucus of the American Philological Association, and the John J. Winkler Memorial Prize. Ormand has traveled extensively in Greece, and held the post of Whitehead Professor of the American School of Classical Studies in Athens during the 2007-8 academic year. He also held a Solmsen Fellowship at the Center for the Study of the Humanities, University of Wisconsin, Madison, in 1999-2000.

'… [a] strenuously argued and very convincing book … Ormand imbues the Hesiodic Catalogue with an energetic, coherent emotional life, and somewhat sorrowful political purpose, to a degree that I can hardly imagine being surpassed.' Eve A. Browning, Bryn Mawr Classical Review

• 1. Introduction: the Hesiodic Catalogue of Women; 2. The Catalogue and the mystery of the disappearing hedna; 3. Marriage, identity, and the story of Mestra; 4. Atalanta reflects the Iliad; 5. Then there was the one who was Alkmene; 6. The marriage of Helen and the end of the Catalogue; 7. Epilogue: women, middling discourse, and the polis.

Kirk Ormand is Professor of Classics at Oberlin College, Ohio. He is author of Exchange and the Maiden: Marriage in Sophoclean Tragedy (1999) and Controlling Desires: Sexuality in Ancient Greece and Rome (2008), and editor of A Companion to Sophocles (2012). He has published articles on Homer, Sophocles, Euripides, Ovid, Lucan, the Greek Novel, and Clint Eastwood. He is the recipient of the Basil Gildersleeve Prize from the American Journal of Philology, the Barbara McManus Prize from the Women's Classical Caucus of the American Philological Association, and the John J. Winkler Memorial Prize. Ormand has traveled extensively in Greece, and held the post of Whitehead Professor of the American School of Classical Studies in Athens during the 2007-8 academic year. He also held a Solmsen Fellowship at the Center for the Study of the Humanities, University of Wisconsin, Madison, in 1999-2000.

'… [a] strenuously argued and very convincing book … Ormand imbues the Hesiodic Catalogue with an energetic, coherent emotional life, and somewhat sorrowful political purpose, to a degree that I can hardly imagine being surpassed.' Eve A. Browning, Bryn Mawr Classical Review

• 1. Introduction: the Hesiodic Catalogue of Women; 2. The Catalogue and the mystery of the disappearing hedna; 3. Marriage, identity, and the story of Mestra; 4. Atalanta reflects the Iliad; 5. Then there was the one who was Alkmene; 6. The marriage of Helen and the end of the Catalogue; 7. Epilogue: women, middling discourse, and the polis.