Elizabeth A. Bohls, Associate Professor of English at the University of Oregon, is author of Women Travel Writers and the Language of Aesthetics, 1716-1818 (Cambridge, 1995), Romantic Literature and Postcolonial Studies (2013) and co-editor with Ian Duncan of Travel Writing, 1700-1830 (2005).

'Bohls' wide-reaching analysis of multiple genres by a variety of authors convincingly makes the case that the politics of place played a crucial role in constructing the West Indian colonies in the British imagination … Bohls makes a valuable contribution by examining both sides of the debate, situating slavery within the project of empire, and showing how writers and artists from both camps made use of Romantic aesthetics to argue for or against slavery.' Lisa Ann Robertson, Journal of Romanticism

• Introduction: captive spaces; 1. The planter picturesque; 2. Stedman's Tropics: the mercenary as naturalist; 3. Colonial history and Atlantic geography; 4. Equiano's politics of place: from roots to routes; 5. At home with the 'Blackies': Janet Schaw and Maria Nugent; 6. A long way from home: the history of Mary Prince; Bibliography.

Elizabeth A. Bohls, Associate Professor of English at the University of Oregon, is author of Women Travel Writers and the Language of Aesthetics, 1716-1818 (Cambridge, 1995), Romantic Literature and Postcolonial Studies (2013) and co-editor with Ian Duncan of Travel Writing, 1700-1830 (2005).

'Bohls' wide-reaching analysis of multiple genres by a variety of authors convincingly makes the case that the politics of place played a crucial role in constructing the West Indian colonies in the British imagination … Bohls makes a valuable contribution by examining both sides of the debate, situating slavery within the project of empire, and showing how writers and artists from both camps made use of Romantic aesthetics to argue for or against slavery.' Lisa Ann Robertson, Journal of Romanticism

• Introduction: captive spaces; 1. The planter picturesque; 2. Stedman's Tropics: the mercenary as naturalist; 3. Colonial history and Atlantic geography; 4. Equiano's politics of place: from roots to routes; 5. At home with the 'Blackies': Janet Schaw and Maria Nugent; 6. A long way from home: the history of Mary Prince; Bibliography.

Elizabeth A. Bohls, Associate Professor of English at the University of Oregon, is author of Women Travel Writers and the Language of Aesthetics, 1716-1818 (Cambridge, 1995), Romantic Literature and Postcolonial Studies (2013) and co-editor with Ian Duncan of Travel Writing, 1700-1830 (2005).

'Bohls' wide-reaching analysis of multiple genres by a variety of authors convincingly makes the case that the politics of place played a crucial role in constructing the West Indian colonies in the British imagination … Bohls makes a valuable contribution by examining both sides of the debate, situating slavery within the project of empire, and showing how writers and artists from both camps made use of Romantic aesthetics to argue for or against slavery.' Lisa Ann Robertson, Journal of Romanticism

• Introduction: captive spaces; 1. The planter picturesque; 2. Stedman's Tropics: the mercenary as naturalist; 3. Colonial history and Atlantic geography; 4. Equiano's politics of place: from roots to routes; 5. At home with the 'Blackies': Janet Schaw and Maria Nugent; 6. A long way from home: the history of Mary Prince; Bibliography.