Ann-Marie Einhaus is Senior Lecturer in Modern and Contemporary Literature at Northumbria University, Newcastle-upon-Tyne. She is the author of The Short Story and the First World War (Cambridge, 2013) and coeditor, with Barbara Korte, of The Penguin Book of First World War Stories.

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• Introduction Ann-Marie Einhaus; Part I. Contexts: 1. Writing and publishing the short story Paul March-Russell; 2. Social realism in the short story Anthony Patterson; 3. The short story and the anxieties of Empire Barbara Korte; 4. The short story, identity, space, and place David Malcolm; Part II. Periods: 5. Romantic short fiction David Stewart; 6. Victorian short stories John Plotz; 7. The short story in the early twentieth century Ann-Marie Einhaus; 8. Mid-twentieth-century stories Victoria Stewart; 9. The short story from postmodernism to the digital age Maebh Long; Part III. Genres: 10. Comic short fiction and its variety Kate Macdonald; 11. The detective short story Martin Priestman; 12. The gothic in short fiction Luke Thurston; 13. The British science fiction story Andrew M. Butler; 14. Microfiction Marc Botha.

Ann-Marie Einhaus is Senior Lecturer in Modern and Contemporary Literature at Northumbria University, Newcastle-upon-Tyne. She is the author of The Short Story and the First World War (Cambridge, 2013) and coeditor, with Barbara Korte, of The Penguin Book of First World War Stories.

Select Guide Rating

• Introduction Ann-Marie Einhaus; Part I. Contexts: 1. Writing and publishing the short story Paul March-Russell; 2. Social realism in the short story Anthony Patterson; 3. The short story and the anxieties of Empire Barbara Korte; 4. The short story, identity, space, and place David Malcolm; Part II. Periods: 5. Romantic short fiction David Stewart; 6. Victorian short stories John Plotz; 7. The short story in the early twentieth century Ann-Marie Einhaus; 8. Mid-twentieth-century stories Victoria Stewart; 9. The short story from postmodernism to the digital age Maebh Long; Part III. Genres: 10. Comic short fiction and its variety Kate Macdonald; 11. The detective short story Martin Priestman; 12. The gothic in short fiction Luke Thurston; 13. The British science fiction story Andrew M. Butler; 14. Microfiction Marc Botha.

Ann-Marie Einhaus is Senior Lecturer in Modern and Contemporary Literature at Northumbria University, Newcastle-upon-Tyne. She is the author of The Short Story and the First World War (Cambridge, 2013) and coeditor, with Barbara Korte, of The Penguin Book of First World War Stories.

Select Guide Rating

• Introduction Ann-Marie Einhaus; Part I. Contexts: 1. Writing and publishing the short story Paul March-Russell; 2. Social realism in the short story Anthony Patterson; 3. The short story and the anxieties of Empire Barbara Korte; 4. The short story, identity, space, and place David Malcolm; Part II. Periods: 5. Romantic short fiction David Stewart; 6. Victorian short stories John Plotz; 7. The short story in the early twentieth century Ann-Marie Einhaus; 8. Mid-twentieth-century stories Victoria Stewart; 9. The short story from postmodernism to the digital age Maebh Long; Part III. Genres: 10. Comic short fiction and its variety Kate Macdonald; 11. The detective short story Martin Priestman; 12. The gothic in short fiction Luke Thurston; 13. The British science fiction story Andrew M. Butler; 14. Microfiction Marc Botha.