James Fox is an art historian and Fellow of Gonville and Caius College, Cambridge. Educated at Cambridge and Harvard, he received his Ph.D. in History of Art from the University of Cambridge in 2009 with a dissertation entitled 'Business unusual: art in Britain during the First World War, 1914–1918'. His research has been supported by grants and fellowships from the Arts and Humanities Research Council, the British Art Center at Yale University, and Churchill College, Cambridge. Fox has published widely on the cultural history of the First World War and modern British art, and has presented papers on the subjects in Europe, the United States and Canada. Fox appears frequently in the media: he has written for The Times, The Telegraph and The Independent, and is a BAFTA- and Royal Television Society-nominated documentary filmmaker for the BBC. In 2014 he was selected as one of Apollo magazine's forty most influential young people in the art world.

'James Fox has written an impeccably researched, original and stimulating account of British art and the First World War. This important study will change our understanding of the War's impact on the relationship between British art and British society and will open up significant new avenues of interpretation and research.' David Peters Corbett, editor of A Companion to British Art: 1600 to the Present

• Introduction; 1. The outbreak of war and the business of art; 2. Perceptions of art; 3. The arts mobilize; 4. War pictures: truth, fiction, function; 5. Peace pictures: escapism, consolation, catharsis; 6. Art and society after the war; Conclusion; Bibliography; Index.

James Fox is an art historian and Fellow of Gonville and Caius College, Cambridge. Educated at Cambridge and Harvard, he received his Ph.D. in History of Art from the University of Cambridge in 2009 with a dissertation entitled 'Business unusual: art in Britain during the First World War, 1914–1918'. His research has been supported by grants and fellowships from the Arts and Humanities Research Council, the British Art Center at Yale University, and Churchill College, Cambridge. Fox has published widely on the cultural history of the First World War and modern British art, and has presented papers on the subjects in Europe, the United States and Canada. Fox appears frequently in the media: he has written for The Times, The Telegraph and The Independent, and is a BAFTA- and Royal Television Society-nominated documentary filmmaker for the BBC. In 2014 he was selected as one of Apollo magazine's forty most influential young people in the art world.

'James Fox has written an impeccably researched, original and stimulating account of British art and the First World War. This important study will change our understanding of the War's impact on the relationship between British art and British society and will open up significant new avenues of interpretation and research.' David Peters Corbett, editor of A Companion to British Art: 1600 to the Present

• Introduction; 1. The outbreak of war and the business of art; 2. Perceptions of art; 3. The arts mobilize; 4. War pictures: truth, fiction, function; 5. Peace pictures: escapism, consolation, catharsis; 6. Art and society after the war; Conclusion; Bibliography; Index.

James Fox is an art historian and Fellow of Gonville and Caius College, Cambridge. Educated at Cambridge and Harvard, he received his Ph.D. in History of Art from the University of Cambridge in 2009 with a dissertation entitled 'Business unusual: art in Britain during the First World War, 1914–1918'. His research has been supported by grants and fellowships from the Arts and Humanities Research Council, the British Art Center at Yale University, and Churchill College, Cambridge. Fox has published widely on the cultural history of the First World War and modern British art, and has presented papers on the subjects in Europe, the United States and Canada. Fox appears frequently in the media: he has written for The Times, The Telegraph and The Independent, and is a BAFTA- and Royal Television Society-nominated documentary filmmaker for the BBC. In 2014 he was selected as one of Apollo magazine's forty most influential young people in the art world.

'James Fox has written an impeccably researched, original and stimulating account of British art and the First World War. This important study will change our understanding of the War's impact on the relationship between British art and British society and will open up significant new avenues of interpretation and research.' David Peters Corbett, editor of A Companion to British Art: 1600 to the Present

• Introduction; 1. The outbreak of war and the business of art; 2. Perceptions of art; 3. The arts mobilize; 4. War pictures: truth, fiction, function; 5. Peace pictures: escapism, consolation, catharsis; 6. Art and society after the war; Conclusion; Bibliography; Index.