Kristin Mahoney is Associate Professor of English at Western Washington University. She is the editor of a scholarly edition of Baron Corvo's Hubert's Arthur, and her articles have appeared in such journals as Victorian Studies, Criticism, English Literature in Transition, and the Victorian Periodicals Review. Mahoney has been the recipient of fellowships from Yale University's Paul Mellon Centre, the University of Texas's Harry Ransom Center, UCLA's William Andrews Clark Memorial Library, and the University of Delaware/Delaware Art Museum. She is also the vice president of the Victorian Interdisciplinary Studies Association of the Western United States and a member of the executive board of the Victorian Studies Association of Western Canada.

'… Mahoney's recovery of less[er]-known figures constitute[s] important and complementary contributions to our understanding of the continuities and affiliations and the ruptures and reinventions between Modernism and the fin de siècle.' Forum for Modern Language Studies

• 1. 'Queer indifference': Max Beerbohm, post-Victorian decadence, and camp nostalgia; 2. Pacifism and post-Victorian decadence: Vernon Lee at the margins of the twentieth century; 3. Towards aristocracy: Baron Corvo and the Corvine society; 4. Irish decadence, occultism, and sacrificial myth: the martyrdom of Althea Gyles; 5. Crusading decadent: Beresford Egan, global dandyism, and post-Victorian decadent feminism.

Kristin Mahoney is Associate Professor of English at Western Washington University. She is the editor of a scholarly edition of Baron Corvo's Hubert's Arthur, and her articles have appeared in such journals as Victorian Studies, Criticism, English Literature in Transition, and the Victorian Periodicals Review. Mahoney has been the recipient of fellowships from Yale University's Paul Mellon Centre, the University of Texas's Harry Ransom Center, UCLA's William Andrews Clark Memorial Library, and the University of Delaware/Delaware Art Museum. She is also the vice president of the Victorian Interdisciplinary Studies Association of the Western United States and a member of the executive board of the Victorian Studies Association of Western Canada.

'… Mahoney's recovery of less[er]-known figures constitute[s] important and complementary contributions to our understanding of the continuities and affiliations and the ruptures and reinventions between Modernism and the fin de siècle.' Forum for Modern Language Studies

• 1. 'Queer indifference': Max Beerbohm, post-Victorian decadence, and camp nostalgia; 2. Pacifism and post-Victorian decadence: Vernon Lee at the margins of the twentieth century; 3. Towards aristocracy: Baron Corvo and the Corvine society; 4. Irish decadence, occultism, and sacrificial myth: the martyrdom of Althea Gyles; 5. Crusading decadent: Beresford Egan, global dandyism, and post-Victorian decadent feminism.

Kristin Mahoney is Associate Professor of English at Western Washington University. She is the editor of a scholarly edition of Baron Corvo's Hubert's Arthur, and her articles have appeared in such journals as Victorian Studies, Criticism, English Literature in Transition, and the Victorian Periodicals Review. Mahoney has been the recipient of fellowships from Yale University's Paul Mellon Centre, the University of Texas's Harry Ransom Center, UCLA's William Andrews Clark Memorial Library, and the University of Delaware/Delaware Art Museum. She is also the vice president of the Victorian Interdisciplinary Studies Association of the Western United States and a member of the executive board of the Victorian Studies Association of Western Canada.

'… Mahoney's recovery of less[er]-known figures constitute[s] important and complementary contributions to our understanding of the continuities and affiliations and the ruptures and reinventions between Modernism and the fin de siècle.' Forum for Modern Language Studies

• 1. 'Queer indifference': Max Beerbohm, post-Victorian decadence, and camp nostalgia; 2. Pacifism and post-Victorian decadence: Vernon Lee at the margins of the twentieth century; 3. Towards aristocracy: Baron Corvo and the Corvine society; 4. Irish decadence, occultism, and sacrificial myth: the martyrdom of Althea Gyles; 5. Crusading decadent: Beresford Egan, global dandyism, and post-Victorian decadent feminism.