James Garratt is Senior Lecturer in Music at the University of Manchester. His publications include Music, Culture and Social Reform in the Age of Wagner (Cambridge, 2010) and Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music (Cambridge, 2002).

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• 1. Music and politics: key concepts and issues; 2. Power and counterpower; 3. History, ideology and the politics of context; 4. Propaganda, ritual and sovereign power; 5. Performing protest: music and activism; 6. Critique, subversion and negation; 7. Nationalism, racism and fascism.

James Garratt is Senior Lecturer in Music at the University of Manchester. His publications include Music, Culture and Social Reform in the Age of Wagner (Cambridge, 2010) and Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music (Cambridge, 2002).

Select Guide Rating

• 1. Music and politics: key concepts and issues; 2. Power and counterpower; 3. History, ideology and the politics of context; 4. Propaganda, ritual and sovereign power; 5. Performing protest: music and activism; 6. Critique, subversion and negation; 7. Nationalism, racism and fascism.

James Garratt is Senior Lecturer in Music at the University of Manchester. His publications include Music, Culture and Social Reform in the Age of Wagner (Cambridge, 2010) and Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music (Cambridge, 2002).

Select Guide Rating

• 1. Music and politics: key concepts and issues; 2. Power and counterpower; 3. History, ideology and the politics of context; 4. Propaganda, ritual and sovereign power; 5. Performing protest: music and activism; 6. Critique, subversion and negation; 7. Nationalism, racism and fascism.