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Katharine A. Craik - Shakespeare and Emotion, Inbunden

Inbunden, Engelska, 2020

Shakespeare and Emotion

Av Katharine A. Craik

1452 kr

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Beskrivning
Shakespeare and Emotion devotes sustained attention to the emotions as a novel way of exploring Shakespeare's works in their original contexts. A variety of disciplinary approaches drawn from literary, theatrical, historical, cultural and film studies brings the recent upsurge of interest in affect into conversation with some of the most urgent debates in Shakespeare studies. The volume provides both a comprehensive account of the current state of scholarship and a speculative forum for new research. Its chapters outline some important contexts for understanding Shakespeare's creativity through an emotional lens - from religion, rhetoric, and medicine, to language, acting and Bollywood - and offer a range of case studies which reveal particular emotions at work. Considering emotional and passionate experience as an animating and sometimes alienating force within the plays and poems, the volume highlights the continuing importance of Shakespeare today: for our sense of who we are and who we might become.
Produktinformation
  • Utgivningsdatum: 2020-10-22
  • Mått: 158 x 235 x 27 mm
  • Vikt: 690 g
  • Format: Inbunden
  • Språk: Engelska
  • Antal sidor: 400
  • Förlag: Cambridge University Press
  • ISBN: 9781108416160
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Mer om författaren

Katharine A. Craik is Research Lead and Reader in Early Modern Literature at Oxford Brookes University. She is the author of Reading Sensations in Early Modern England (2007), co-editor of Shakespearean Sensations: Experiencing Literature in Early Modern England (2013), and has recently published essays in Shakespeare Studies, Shakespeare Survey and Renaissance Studies. She led the Wellcome Trust funded arts project Watching on early modern sleep, and her new play Marina (with Ewan Fernie) is in development with the Royal Shakespeare Company.

Recensioner i media

'The essays are wide-ranging and diverse … a generous and timely contribution of scholarship.' Emily Sarah Barth, Shakespeare Quarterly

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