Sophie Chiari is Professor of Early Modern Studies at Clermont Auvergne University, France. She is the author of several monographs on Elizabethan drama, including Shakespeare's Representation of Weather, Climate, and Environment:The Early Modern 'Fated Sky' (2018). John Mucciolo is an Independent Scholar and founding editor, with W. R. Elton, of The Shakespearean International Yearbook. He is particularly interested in Shakespeare's late plays and early modern political, intellectual and theatrical backgrounds.

'The 16 essays, all comprehensive in their research and well documented, study Elizabethan and Jacobean court performances, and taken together they conclude that the plays during this time 'flowered into a robust, interconnected court and public theatre culture'.' J. S. Carducci, Choice

• General introduction Sophie Chiari and John Mucciolo; Part I. Elizabethan Court Theatre: 1. Palamon and Arcite: early Elizabethan court theatre Richard Dutton; 2. Revels at the court of Elizabeth I, 1594–1603 W. R. Streitberger; 3. Multiple Marlowe: Doctor Faustus and court performance Roy Eriksen; 4. The court theatre response to the public theatre debate in a Midsummer Night's Dream Janna Segal; Part II. The Jacobean Tradition: 5. Masculine dreams: Henry V and the Jacobean politics of court performance Murat Öğütcü; 6. Jacobean royal premieres? Othello and Measure for Measure at Whitehall in 1604 Jason Lawrence; 7. Pericles: a performance, a letter (1619) David M. Bergeron; 8. 'The old name is fresh about me': architectural mimesis and court spaces in All is True Catherine Clifford; Part III. Reassessing the Stuart Masque: 9. Dancing at court: 'the art that all arts doe approve' Anne Daye; 10. The Tempest and the Jonsonian masque Martin Butler; 11. Noble masquing at the Stuart court Leeds Barroll; 12. 'Animated porcelain of the court': Stuart masquers as magical automata Agnieszka Żukowska; Part IV. The Material Conditions of Performances at Court: 13. How did they do it? Problems of staging plays at court William B. Long; 14. The Jacobean banqueting house as a performance space John H. Astington; 15. Musicians at court Chantal Schütz; 16. Painted cloths and the making of Whitehall's playing space; 1611–12 Rebecca Olson; Index.

Sophie Chiari is Professor of Early Modern Studies at Clermont Auvergne University, France. She is the author of several monographs on Elizabethan drama, including Shakespeare's Representation of Weather, Climate, and Environment:The Early Modern 'Fated Sky' (2018). John Mucciolo is an Independent Scholar and founding editor, with W. R. Elton, of The Shakespearean International Yearbook. He is particularly interested in Shakespeare's late plays and early modern political, intellectual and theatrical backgrounds.

'The 16 essays, all comprehensive in their research and well documented, study Elizabethan and Jacobean court performances, and taken together they conclude that the plays during this time 'flowered into a robust, interconnected court and public theatre culture'.' J. S. Carducci, Choice

• General introduction Sophie Chiari and John Mucciolo; Part I. Elizabethan Court Theatre: 1. Palamon and Arcite: early Elizabethan court theatre Richard Dutton; 2. Revels at the court of Elizabeth I, 1594–1603 W. R. Streitberger; 3. Multiple Marlowe: Doctor Faustus and court performance Roy Eriksen; 4. The court theatre response to the public theatre debate in a Midsummer Night's Dream Janna Segal; Part II. The Jacobean Tradition: 5. Masculine dreams: Henry V and the Jacobean politics of court performance Murat Öğütcü; 6. Jacobean royal premieres? Othello and Measure for Measure at Whitehall in 1604 Jason Lawrence; 7. Pericles: a performance, a letter (1619) David M. Bergeron; 8. 'The old name is fresh about me': architectural mimesis and court spaces in All is True Catherine Clifford; Part III. Reassessing the Stuart Masque: 9. Dancing at court: 'the art that all arts doe approve' Anne Daye; 10. The Tempest and the Jonsonian masque Martin Butler; 11. Noble masquing at the Stuart court Leeds Barroll; 12. 'Animated porcelain of the court': Stuart masquers as magical automata Agnieszka Żukowska; Part IV. The Material Conditions of Performances at Court: 13. How did they do it? Problems of staging plays at court William B. Long; 14. The Jacobean banqueting house as a performance space John H. Astington; 15. Musicians at court Chantal Schütz; 16. Painted cloths and the making of Whitehall's playing space; 1611–12 Rebecca Olson; Index.

Sophie Chiari is Professor of Early Modern Studies at Clermont Auvergne University, France. She is the author of several monographs on Elizabethan drama, including Shakespeare's Representation of Weather, Climate, and Environment:The Early Modern 'Fated Sky' (2018). John Mucciolo is an Independent Scholar and founding editor, with W. R. Elton, of The Shakespearean International Yearbook. He is particularly interested in Shakespeare's late plays and early modern political, intellectual and theatrical backgrounds.

'The 16 essays, all comprehensive in their research and well documented, study Elizabethan and Jacobean court performances, and taken together they conclude that the plays during this time 'flowered into a robust, interconnected court and public theatre culture'.' J. S. Carducci, Choice

• General introduction Sophie Chiari and John Mucciolo; Part I. Elizabethan Court Theatre: 1. Palamon and Arcite: early Elizabethan court theatre Richard Dutton; 2. Revels at the court of Elizabeth I, 1594–1603 W. R. Streitberger; 3. Multiple Marlowe: Doctor Faustus and court performance Roy Eriksen; 4. The court theatre response to the public theatre debate in a Midsummer Night's Dream Janna Segal; Part II. The Jacobean Tradition: 5. Masculine dreams: Henry V and the Jacobean politics of court performance Murat Öğütcü; 6. Jacobean royal premieres? Othello and Measure for Measure at Whitehall in 1604 Jason Lawrence; 7. Pericles: a performance, a letter (1619) David M. Bergeron; 8. 'The old name is fresh about me': architectural mimesis and court spaces in All is True Catherine Clifford; Part III. Reassessing the Stuart Masque: 9. Dancing at court: 'the art that all arts doe approve' Anne Daye; 10. The Tempest and the Jonsonian masque Martin Butler; 11. Noble masquing at the Stuart court Leeds Barroll; 12. 'Animated porcelain of the court': Stuart masquers as magical automata Agnieszka Żukowska; Part IV. The Material Conditions of Performances at Court: 13. How did they do it? Problems of staging plays at court William B. Long; 14. The Jacobean banqueting house as a performance space John H. Astington; 15. Musicians at court Chantal Schütz; 16. Painted cloths and the making of Whitehall's playing space; 1611–12 Rebecca Olson; Index.