Ato Quayson is Professor of English at Stanford University, California. He has previously taught at the University of Cambridge, the University of Toronto, and at New York University, and has held fellowships at the University of Oxford, Harvard University, the University of California, Berkeley, Australian National University, and Wellesley College, among others.

'… [This book] is a powerful insight, suggestive enough, one would have thought, to fuel a book-length inquiry into the distinctiveness of postcolonial tragedy.' Rajeswari Sunder Rajan, Modern Philology

• 1. Introduction. Tragedy and the maze of moments; 2. Shakespeare: Ethical cosmopolitanism and Shakespeare's Othello; 3. Chinua Achebe: History and the conscription to colonial modernity in Chinua Achebe's rural novels; 4. Wole Soyinka: Ritual dramaturgy and the social imaginary in Wole Soyinka's tragic theatre; 5. Tayeb Salih: Archetypes, self-authorship, and melancholia: Tayeb Salih's Seasons of Migration to the North; 6. Toni Morrison: Form, freedom and ethical choice in Toni Morrison's Beloved; 7. J. M. Coetzee: On moral residue and the affliction of second thoughts: J.M. Coetzee's Waiting for the Barbarians; 8. Arundhati Roy: Enigmatic variations, language games and the arrested bildungsroman: Arundhati Roy's The God of Small Things; 9. Samuel Beckett: Distressed embodiment and the burdens of boredom: Samuel Beckett's Postcolonialism; 10. Conclusion: Postcolonial tragedy and the question of method.

Ato Quayson is Professor of English at Stanford University, California. He has previously taught at the University of Cambridge, the University of Toronto, and at New York University, and has held fellowships at the University of Oxford, Harvard University, the University of California, Berkeley, Australian National University, and Wellesley College, among others.

'… [This book] is a powerful insight, suggestive enough, one would have thought, to fuel a book-length inquiry into the distinctiveness of postcolonial tragedy.' Rajeswari Sunder Rajan, Modern Philology

• 1. Introduction. Tragedy and the maze of moments; 2. Shakespeare: Ethical cosmopolitanism and Shakespeare's Othello; 3. Chinua Achebe: History and the conscription to colonial modernity in Chinua Achebe's rural novels; 4. Wole Soyinka: Ritual dramaturgy and the social imaginary in Wole Soyinka's tragic theatre; 5. Tayeb Salih: Archetypes, self-authorship, and melancholia: Tayeb Salih's Seasons of Migration to the North; 6. Toni Morrison: Form, freedom and ethical choice in Toni Morrison's Beloved; 7. J. M. Coetzee: On moral residue and the affliction of second thoughts: J.M. Coetzee's Waiting for the Barbarians; 8. Arundhati Roy: Enigmatic variations, language games and the arrested bildungsroman: Arundhati Roy's The God of Small Things; 9. Samuel Beckett: Distressed embodiment and the burdens of boredom: Samuel Beckett's Postcolonialism; 10. Conclusion: Postcolonial tragedy and the question of method.

Ato Quayson is Professor of English at Stanford University, California. He has previously taught at the University of Cambridge, the University of Toronto, and at New York University, and has held fellowships at the University of Oxford, Harvard University, the University of California, Berkeley, Australian National University, and Wellesley College, among others.

'… [This book] is a powerful insight, suggestive enough, one would have thought, to fuel a book-length inquiry into the distinctiveness of postcolonial tragedy.' Rajeswari Sunder Rajan, Modern Philology

• 1. Introduction. Tragedy and the maze of moments; 2. Shakespeare: Ethical cosmopolitanism and Shakespeare's Othello; 3. Chinua Achebe: History and the conscription to colonial modernity in Chinua Achebe's rural novels; 4. Wole Soyinka: Ritual dramaturgy and the social imaginary in Wole Soyinka's tragic theatre; 5. Tayeb Salih: Archetypes, self-authorship, and melancholia: Tayeb Salih's Seasons of Migration to the North; 6. Toni Morrison: Form, freedom and ethical choice in Toni Morrison's Beloved; 7. J. M. Coetzee: On moral residue and the affliction of second thoughts: J.M. Coetzee's Waiting for the Barbarians; 8. Arundhati Roy: Enigmatic variations, language games and the arrested bildungsroman: Arundhati Roy's The God of Small Things; 9. Samuel Beckett: Distressed embodiment and the burdens of boredom: Samuel Beckett's Postcolonialism; 10. Conclusion: Postcolonial tragedy and the question of method.