Tsung-Han Tsai is an independent scholar specializing in music and twentieth-century literature. Since receiving his Ph.D. from the University of St Andrews, he has co-edited, with Emma Sutton, Twenty-First-Century Readings of E. M. Forster's Maurice, and has published articles on Forster, Goldsworthy Lowes Dickinson, and life-writing.

'Tsung-Han Tsai's E. M. Forster and Music offers fresh readings of Forster's engagement with music, analysing for the first time in a single-author study Forster's essays and short stories in addition to his longer fiction … E. M. Forster and Music, therefore, contributes both to literary scholarship of Forster's works and word and music studies through rigorous scholarship and insightful close readings.' Parker T. Gordon, Polish Journal of English Studies

• Introduction; 1. The Rhythm of the Racial Other: Before Aspects of the Novel; 2. The Queering of Musical Instruments; 3. From Literary Heritage to National Character; 4. The Problem of the Wagnerian Hero; 5. Amateurism, Musicology, and Gender; Postlude.

Tsung-Han Tsai is an independent scholar specializing in music and twentieth-century literature. Since receiving his Ph.D. from the University of St Andrews, he has co-edited, with Emma Sutton, Twenty-First-Century Readings of E. M. Forster's Maurice, and has published articles on Forster, Goldsworthy Lowes Dickinson, and life-writing.

'Tsung-Han Tsai's E. M. Forster and Music offers fresh readings of Forster's engagement with music, analysing for the first time in a single-author study Forster's essays and short stories in addition to his longer fiction … E. M. Forster and Music, therefore, contributes both to literary scholarship of Forster's works and word and music studies through rigorous scholarship and insightful close readings.' Parker T. Gordon, Polish Journal of English Studies

• Introduction; 1. The Rhythm of the Racial Other: Before Aspects of the Novel; 2. The Queering of Musical Instruments; 3. From Literary Heritage to National Character; 4. The Problem of the Wagnerian Hero; 5. Amateurism, Musicology, and Gender; Postlude.

Tsung-Han Tsai is an independent scholar specializing in music and twentieth-century literature. Since receiving his Ph.D. from the University of St Andrews, he has co-edited, with Emma Sutton, Twenty-First-Century Readings of E. M. Forster's Maurice, and has published articles on Forster, Goldsworthy Lowes Dickinson, and life-writing.

'Tsung-Han Tsai's E. M. Forster and Music offers fresh readings of Forster's engagement with music, analysing for the first time in a single-author study Forster's essays and short stories in addition to his longer fiction … E. M. Forster and Music, therefore, contributes both to literary scholarship of Forster's works and word and music studies through rigorous scholarship and insightful close readings.' Parker T. Gordon, Polish Journal of English Studies

• Introduction; 1. The Rhythm of the Racial Other: Before Aspects of the Novel; 2. The Queering of Musical Instruments; 3. From Literary Heritage to National Character; 4. The Problem of the Wagnerian Hero; 5. Amateurism, Musicology, and Gender; Postlude.