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    1. Samhälle och politik
    2. Samhälle och kultur

    Companion to Martin Scorsese

    AvAaron Baker

    Häftad, Engelska, 2021

    Del i serien Wiley Blackwell Companions to Film Directors

    567 kr

    Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt över 249 kr.

    Beskrivning

    A Companion to Martin Scorsese A Companion to Martin Scorsese“This valuable book brings the exceptional scale of Martin Scorsese’s film work into clear view. His achievements are monumental, and the essays collected in this work provide wonderfully detailed and vivid analyses of his oeuvre. A comprehensive study of the most exciting filmmaker working today.”Robert Burgoyne, University of St AndrewsA Companion to Martin Scorsese, Revised Edition is a comprehensive collection of original essays assessing the career of one of America’s most prominent contemporary filmmakers. The first reference work of its kind, this book contains contributions from influential scholars in North America and Europe. The essays use a variety of analytic approaches to study numerous aspects of Scorsese’s work, from his earliest films to his place within the history of American and world cinema. They consider his work in relation to auteur theory, the genres in which he has worked, his use of popular music, and his recent involvement with film preservation. Several of the essays offer fresh interpretations of some of Scorsese’s most influential films, including Mean Streets, Taxi Driver, Raging Bull, GoodFellas, Gangs of New York, Hugo, and The Irishman. Others take a broader approach and discuss the representation of violence, ethnicity, religion, sexuality, gender, race, and other themes across his work. With insights that will interest film scholars as well as movie enthusiasts, this is an important contribution to the scholarship of contemporary American cinema.

    Produktinformation

    • Utgivningsdatum:2021-05-03
    • Mått:168 x 244 x 36 mm
    • Vikt:975 g
    • Format:Häftad
    • Språk:Engelska
    • Serie:Wiley Blackwell Companions to Film Directors
    • Antal sidor:528
    • Förlag:John Wiley and Sons Ltd
    • ISBN:9781119685623

    Utforska kategorier

    • Samhälle och kultur inom Samhälle och politik

    Mer om författaren

    Aaron Baker is Professor of Film and Media Studies within the English Department at Arizona State University, USA. His research focuses on sports culture, film authorship, and the representation of race, ethnicity, and gender in American cinema. He is coeditor of Out of Bounds: Sports, Media and the Politics of Identity (1997), and the author of Contesting Identities: Sports in American Film (2003), Steven Soderbergh (2011), and The Baseball Film: A Transmedia and Cultural History (2022).

    Innehållsförteckning

    • Contributors ixIntroduction: Artistic Solutions to Sociological Problems 1Aaron BakerPart One The Pious Auteur 151 How Scorsese Became Scorsese: A Historiography of New Hollywood’s Most Prestigious Auteur 17Marc Raymond2 Smuggling Iconoclasm: European Cinema and Scorsese’s Male Antiheroes 38Giorgio Bertellini and Jacqueline Reich3 Italian Films, New York City Television, and the Work of Martin Scorsese 53Laura E. Ruberto4 The Imaginary Museum: Martin Scorsese’s Film History Documentaries 71Robert P. Kolker5 Images of Religion, Ritual, and the Sacred in Martin Scorsese’s Cinema 91David SterrittPart Two Social Contexts and Conflicts 1156 Alice Doesn’t Live Here Anymore and Italianamerican: Gender, Ethnicity, and Imagination 117Aaron Baker7 Mobsters and Bluebloods: Scorsese’s The Age of Innocence in the Perspective of his Italian-American Films 133Robert Casillo8 Off-White Masculinity in Martin Scorsese’s Gangster Films 173Larissa M. Ennis9 Irish-American Identity in the Films of Martin Scorsese 195Matt R. Lohr10 Issues of Race, Ethnicity, and Television Authorship in Martin Scorsese Presents The Blues and Boardwalk Empire 214Jonathan J. Cavallero11 Cinema According to Marty: Scorsese as American Film Culture’s Intellectual 237Marc RaymondPart Three Form and the Filmmaking Process 24912 Martin Scorsese and the Music Documentary 251Michael Brendan Baker13 Martin Scorsese Rocks 271Giuliana Muscio14 Music as Cultural Signifier of Italian-American Life in Who’s That Knocking at My Door and Mean Streets 289Anthony D. Cavaluzzi15 When Marty Met Bobby: Collaborative Authorship in Mean Streets and Taxi Driver 304R. Colin Tait16 Scorsese’s Landscape of Mortality 324Murray Pomerance17 Borderlines: Boundaries and Transgression in the City Films of Martin Scorsese 343Brendan KredellPart Four Major Films 36518 Mean Streets as Cinema of Independence 367Stefan Sereda19 Taxi Driver and Veteran Trauma 385Michael D. High20 Filming the Fights: Subjectivity and Sensation in Raging Bull 408Leger Grindon21 The Last Temptation of Christ: Queering the Divine 432Daniel S. Cutrara22 The Cinematic Seduction of Not a “Good Fella” 454Bambi Haggins23 Hugo and the (Re-)Invention of Martin Scorsese 471Guerric DeBona24 The Irishman: Cosmopolitan Authorship in the Age of Streaming Media 492Aaron BakerIndex 506