Companion to Contemporary Art in a Global Framework

Häftad, Engelska, 2027

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Beskrivning

A Companion to Contemporary Art in a Global Framework explores the ways specialists and institutions in the fine arts, curation, cultural studies, and art history have attempted to situate art in a more global framework since the 1980s. Offering analyses of the successes and setbacks of these efforts to globalize the art world, this innovative volume presents a new and exciting way of considering art in its global contexts. Essays by an international panel of leading scholars and practicing artists assert that what we talk about as ‘art’ is essentially a Western concept, thus any attempts at understanding art in a global framework require a revising of established conceptual definitions.Organized into three sections, this work first reviews the history and theory of the visual arts since 1980 and introduces readers to the emerging area of scholarship that seeks to place contemporary art in a global framework. The second section traces the progression of recent developments in the art world, focusing on the historical and cultural contexts surrounding efforts to globalize the art world and the visual arts in particular global and transnational frameworks. The final section addresses a wide range of key themes in contemporary art, such as the fundamental institutions and ontologies of art practice, and the interactions among art, politics, and the public sphere.A Companion to Contemporary Art in a Global Framework is essential reading for undergraduate and graduate students, scholars, researchers, and general readers interested in exploring global art beyond the traditional Euro-American context.

Produktinformation

Utgivningsdatum:2027-05-27
Mått:170 x 244 x 4 mm
Format:Häftad
Språk:Engelska
Serie:Blackwell Companions to Art History
Antal sidor:550
Förlag:John Wiley and Sons Ltd
ISBN:9781119841821

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JANE CHIN DAVIDSON is Professor of Art History and Global Cultures at California State University, San Bernadino. She has published widely on topics in contemporary global art, Chinese diasporic identity in the arts, performance, transnationalism, feminism, and eco-feminism. As an exhibition curator, she studies the decolonizing processes for global exhibitions.AMELIA JONES is Robert A. Day Professor at the Roski School of Art and Design at the University of Southern California, Los Angeles. Her published work and curated exhibitions have focused on queer, feminist, and anti-racist analyses of modern and contemporary visual art and performance of the Euro-American tradition. She is Editor of A Companion to Contemporary Art Since 1945 (Wiley Blackwell, 2006).

Innehållsförteckning

List of Illustrations ixSeries Editor's Preface xvAbout the Editors xviiNotes on Contributors xixEditors' Acknowledgments xxviiIntroduction: The Eurocentrism of Contemporary Art, Staging the Project 1Jane Chin Davidson and Amelia JonesPart I Decades 171980-1990 171 I Live in the Fourth Dimension When I Create Landscapes: Artist Statement 19Senga Nengudi2 Seeing Beyond East/West Divides: Contemporary Art in and Around 1980s China 23Jenny Lin1990-2000 353 Is There a Line that Connects All Things? Artist Statement 37Sutapa Biswas4 Why Contemporary Art Is Post-Soviet 41Angela Harutyunyan2000-2010 555 Art and Politics: Artist Statement 57Tania Bruguera6 Maori and Pacific Art at the Turn of a New Millennium 61Nina Tonga and Caroline Vercoe2010-2020 757 Art for Abolition: Artist Statement 77Patrisse Cullors8 Situating African Diasporic Art 79Nana Adusei-PokuPart II ThemesInstitutions/Ontology 879 COLONIALISM "The Whole World in his Hands": A Decolonial Approach to European Concepts of Art 89Claire Farago10 PEDAGOGY The Blank Canvas and Other Myths 105Al-An deSouza11 CRAFT Craft and the Making of "Global" Contemporary Art 119Pamela N. Corey12 PERFORMANCE Dreams and Visions in the Interval 133Mlondolozi Zondi13 EMBODIMENT/MATERIALITY Love Songs (to End Hetero-Patriarchal, Settler-Colonial, Extractivism) 149Natalie LovelessPolitics/Public Sphere 16714 REVOLUTION Revolution is a Circle 169Tatiana Flores15 ART AND ITS MARKETPLACES It Was a Small World, After All 183Suzanne Hudson16 PUBLIC SPHERES The Politics of Public Space in Postrevolutionary Iran 199Talinn Grigor17 (ANTI-)CAPITALISM The Imminent Promise and Fear of a Getaway Car 213Raqs Media Collective18 ENVIRONMENT Envisioning a More Just Future: Feminist Activist Art, Climate Change, and the Anthropocene 227Lisa E. BloomIdentity/Subjectivity 23919 INDIGENEITY Global Futurisms: Prophetic Practices of Reclamation, Liberation, and Transcendence 241Timotéo I. Montoya II20 DIASPORA Transnational Collectivities of Solidarity and Affect 255Ceren Özpinar21 GENDER/SEXUALITY Performing the Intersection: Camp and the "Cat Lady" 267Jane Chin Davidson22 RACE/ETHNICITY Three Forms of Appropriation: Carrie Mae Weems, Glenn Ligon, and Nao Bustamante 281Jessi DiTillio and Cherise Smith23 DISABILITY Disability Justice, Community, and Performance 295Shayda Kafai and Jennette RamirezMethods/Theories 30924 POSTCOLONIAL/DECOLONIAL Post-/Anti-/Neo-/De- Colonial Theories and Visual Analysis 311Alpesh Kantilal Patel25 MARXISM/POST-MARXISM History, Marxism, Reality, and Utopia: The Bishan Project in China (2010-2016) 327Ou Ning26 CRITICAL RACE THEORY "The Blast Work": Situating Critical Race Theory in Contemporary Art and Curatorial Practice 343Kelli Morgan in Dialogue with Amelia Jones27 POSTSTRUCTURALISM/POSTMODERNISM/POSTCOLONIALISM Mapping Poststructuralism, Postmodernism, and Postcolonialism 359April Baca28 GENDER/SEX THEORY Feminist/Queer/Trans Theory and Trans Embodied Methodologies in Contemporary Art: An Intergenerational Dialogue on the Page 377Ace Lehner and Amelia Jones29 PERFORMANCE THEORY The "Studies Protocols" of Performance Studies 399Joshua Chambers-LetsonTechnology/Media 41730 INTERNET "Bias Is Not a Bug. It's a Feature": An Interview with Hito Steyerl on Representation in the Digital Age 419Hito Steyerl and Anuradha Vikram31 SOCIAL MEDIA Why Is It So Hard to Look the Other in the Eye? The Selfie and its Discontents 435Derek Murray32 ALGORITHM Algorithms in Global Art and Visual Culture 451Gary Kafer and Tyler QuickExhibition/Collecting/Archive 46533 MUSEUM Time, Love, and the Museum 467Florencia San Martin34 BIENNIAL/ART FAIR Biennial as a Discursive Political System for Contemporary Art 481Jane Chin Davidson35 CURATING In Residence, Incarcerated Regina José Galindo's America's Family Prison 503Andy Campbell36 COLLECTING The World Should Collect Itself: Collecting Art Globally (and Other Predicaments) 517Gerardo Mosquera37 ARCHIVE Ghosts in the Archive: Exorcism, Resurrection and the Possibilities of Repair 529Hammad NasarIndex 541